Three Words You Should Eliminate from Your Writing

A guest post by James Chartrand of Men with Pens

Every good copywriter will tell you that you should write concisely. Eliminate every unnecessary word. Be bold with your choice of nouns and adjectives. Choose precise words, not common ones. Cut all the fluff, the clutter and the jargon.

And if you’re a copywriter, you probably follow this advice – or think you do.

Unfortunately, several words are so common that you often don’t even realize you’re using them. These words sneak into your writing all the time, and they contribute nothing to the content.

They damage your credibility. They bring down your writing. They make your work look amateur.

If I pointed those words out to you, you’d probably shuffle your feed and shamefacedly admit they don’t need to be there. You hadn’t even noticed you’d put them in.

Those words are like condiments in your fridge. You open the door a dozen times a day and never see them. It isn’t until a friend comes over and asks why you have two-year-old mango chutney that you realize you should probably clear some of that out.

You should. Here are three words you can clear out of your writing.

Word #1: Really

No, really. Take a look where this word might show up and clunk up a sentence:

  • It’s really important that you sign up for this.
  • This is a really valuable product.
  • You have to check this out – it’s really interesting.

I’m specifically talking about instances where really is an intensifier. In grammar, an intensifier is like a modifier, only better, and its job is… well, to intensify the emotional context of words like “important” or “valuable” or “interesting.”

But an intensifier actually adds no particular contribution or value. Take it out, and the whole sentence still works just fine, thank you very much.

The problem with really is that it’s supposed to enhance the word it’s modifying and amplify its meaning. But really has become so common that it doesn’t actually make us think more of the item in question. It makes us think less of it.

Watch what happens here:

  • Sign up. It’s important.
  • This is valuable.
  • Interesting.

All those words have weight and heft when they stand on their own. But add really to them, and it sounds like you’re trying hard to convince someone that you mean it.

“This is interesting.”

“Yeah, right.”

“No, it’s really interesting.”

Unless your reader has some reason to doubt your statement of the facts, really is unnecessary – AND it gives your reader the impression that you don’t believe your own words.  Not really.

Word #2: Very

Really and very suffer from similar maladies; they’ve become so common that their original purpose has been flipped in the opposite direction.

It’s uncommon for us to say a house was big. We say it was very big.

We do this automatically, without thinking, and so much so that the word very doesn’t even register in our brains. It’s not as if we think big and by adding very we think even bigger.

We hear very big and we think big. We stay at the same level of perception, without anything being added to our mental image.

Very sweet. Very tall. Very nice. Very interesting.

It carries far more power to drop the word very and allow the word it intensified to stand alone.

The man entered the room. He was very large.

When we read this sentence, we get the impression that the man is fat. That’s usually what we mean when we say someone is very large. But when we simply say:

The man entered the room. He was large.

Now we have the impression of the man’s actual size. Maybe he’s fat, or maybe he’s broad and tall. Either way, there’s a lot of him. He is large. (And probably intimidating too!)

Word #3: Totally

Totally means ‘in total.’ As in, the sum of all. The whole. The entire shebang, completely. Like this:

Are all the boxes here? Totally.

That’s an old-fashioned version, but it still works for emotions:

Can I confide in you? Totally.

You can tell me the sum of all your confidences. Hold nothing back. I’m prepared to listen to the entire shebang of what you have to say.

The problem is that in common language (probably thanks to the explosion of Valley Girl talk in the ‘80s) totally became a placeholder word, modifying that which does not need modification.

Example: I was totally shocked.

Being shocked implies totality. You’re either shocked or you aren’t. Your ears can’t go into shock while your leg stays casual about it all. Your entire body and mind go into shock. That’s what shock means.

Totally, here, is redundant.

Here’s another example: This is a totally great price.

It’s great or it isn’t. A price is about as totaled as you can get – so the extra word serves no purpose.

Take it away. Take all three of these words – really, very, totally – away. And your copy will suddenly stand a bit taller, ring a touch prouder and come off like it was written by a pro.

Have any more unnecessary words to add to the pile? Bring them on in the comments!

About the author:

James Chartrand is a finalist in the 10 Top Blogs for Writers Contest 2011/12. Discover more great writing tips, tricks and techniques with her innovative writing course for business owners, Damn Fine Words. This game-changing course is open right now to new members. Register today and start writing words that get results for your business.[aff link]

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Why Researching Articles to Death Is A Waste of Time

article marketing

Use "What?" for article marketing

A guest post by Sean DSouza of Psychotactics

The world was flat.
Now it’s round.
Who knows? Maybe it’s square.

Research helps. But there’s a problem with research.

And it’s called counter-research. Tea is good for you. Tea is bad for you. Drink 8 glasses of water a day. Drink 16 glasses of water a day. The list goes on forever. And forever isn’t a bad thing, but the information is grossly conflicting. There’s almost nothing you can nail down with absolutely certainty.

And when you’re writing an article, it’s easy to want to absolutely nail the article down with irrefutable research. So you spend seventeen hours (or seventeen thousand hours, as the case may be) and you come up with data from books, white papers. Or just stuff you find online.

And part of the problem with research is:

1) Research is often funded by lobby groups.
2) Information passed down can miss out relevant bits.
3) Facts that we know about aren’t valid any more.

Let’s take the first: Research funded by lobby groups.

You know the groups. They are like you and me. They have an agenda. They want to sell something. So they make you want to like milk, or spinach or whatever. They fund research; they pour squillions of dollars into it. And all it proves is one thing: That whatever they’re selling is good for you.

Of course you don’t see the research that way.

The way the research is presented is in a nice, interesting fact-driven way that makes you believe in the product/service. Suddenly your perception changes, because as human beings we only have to be given facts and a truckload of statistics, and whoops we change our perception. Lobby groups aren’t some insane bunch of people. They’re just like you and me. We turn to our kids and tell them to eat spinach so that they can grow tall and strong. And the kids buy it.

Doesn’t matter if the spinach doesn’t have the nutrients to get those kids big and strong. Doesn’t matter if we’ve cooked the goodness out of the darned spinach. The kids eat into the idea—and hopefully the spinach. We are a lobby group. The lobby groups are lobby groups. We present information in the best light. Then we add figures and facts. And it becomes something written in stone.

And sometimes it’s not written in stone. Which takes us to our second problem.

Problem 2: The data is hand-me down

Take your tea bags and use the tea in them to polish hardwood floors. Put turmeric and honey in hot water and drink it. And your cough will go away. These are hand-me down facts. They work. But do they work for everyone? And are some of the details being missed out? Who knows? It’s impossible to tell and at best the details remain more or less accurate. Or inaccurate, depending on the situation. The problem is that you can go online today, find these facts (after seventeen hours of searching) and then believe them to be true.

And the fact is the facts often have holes in them.

You can’t necessarily trust that what you’re reading is correct and will work for you. So the only way to find out is to make it work for you. You take those tea bags and polish a part of your hardwood floor. Does it work? Do the floors shine? Ah, now you’ve got a personal story of your own. You’ve got your own hand-me-down tale to tell.

Let’s just hope it doesn’t get distorted along the way, shall we?

So that’s the problem with hand-me down data. It looks very valid indeed. But unless you try and prove it to yourself, it’s something you need to take with a pinch of salt—or turmeric

And that takes us to the final problem: The data keeps changing.

Problem 3: Facts that we know aren’t valid any more.

As recently as the year 1980, most neuroscientists believed that the brain was non-plastic. Plasticity means that the brain is adaptable. That damage, strokes and other horrible things that could ruin a brain, are not permanent after all.

There’s now research (yeah I know the irony of using the word there) that there was tissue damage of 97% in one brain area which should have rendered the patient incapable of doing anything.. And yet the patient re-learned everything: to crawl, walk, and then live a pretty normal life.

I want you to understand one thing. These were neuroscientists. They live, breathe, and map their entire careers around research. And they were wrong. The brain is plastic. We know that now. But hey, that data changes as well. And who’s to know what’s going to come around the corner?

So does this mean you should not use research in your articles?

No it doesn’t mean that at all. All you need to understand is that you can’t be spending those all those hours tracking down facts. Because often these so-called facts are wrong. And then there’s the issue of fluid facts. Facts change as we get to know more. And really what applies to one person is not going to necessarily apply to you.

If someone says they got a 33% increase in turnover, it’s not going to apply to you. That turnover increase was based on a certain strategy, in a certain market, at a certain time. It sounds like a fact, and it is. But it doesn’t always hold good for everyone. Researching information for your article makes it look great, but be aware that data is a moving target.

This may look like a research-bashing article when in fact it’s not.

It’s just a bit of advice to avoid spending endless hours trying to find research that may be flawed in the first place. Go ahead, do your research, but put an egg timer. If you don’t get what you’re looking for in about 22 minutes, it’s time to get your own facts together. No, don’t make it up, but tell us your own experience. In reality it may be better to simply write what you know because it makes for a good story and as you know, stories have facts.

Research makes things interesting. So if you find it, use it.

But your own case-studies are just as interesting. So don’t be bashful. Use it more often.
It saves you time. And yes, you may be wrong.

Well, so were the neuroscientists. So you’re in good company.

To read more articles by Sean DSouza—and get a very useful report on “Why Headlines Fail”, go to PsychoTactics.com

Join Leo Babauta and Mary Jaksch in their spectacular training environment for bloggers: the A-List Blogger Club.

How To Make One Story into Many By Being Multimedia Savvy

Get multi-media savvy

 

By Drew Tewksbury of Ebyline’s Blog

It’s not hard to get discouraged about writing and journalism with all the negative news in the media world.

Newspapers are ceasing production, magazines are going online-only, and new outlets are few and far between. But there is a way for writers to survive.

The key to surviving the clear cutting of print publications: Re-define and re-imagine.

Try to adjust your self-image, you’re no longer just a writer, you’re a multimedia producer. You produce, you create, not just words on the page, but images, sounds, stories. You don’t have to go back to journalism school to learn to use multimedia tools or spend a lot of money on equipment; many new journalism tools are already in your pocket today. With some clever smart phone hacking and a multimedia mindset, you can make every story you report into three (or four, or five…) more stories.

Here’s how:

1. Get the Tools.
These days, being a multimedia journalist is easier than ever before. Many of us already carry the tools of the trade with us everyday. Your iPhone, Droid, or other mobile device can make a good makeshift solution in a pinch. Check out Poynter Institute’s “10 Best iPhones Apps for Journalists” for apps that shoot and publish good video, or programs that help you edit images quickly. If you want to go more pro, keep in mind that you will be able to pay off your gear with increased number of gigs you land. It’s worth it.

2. Audio.
Probably one of the easiest ways to flip a story is to repurpose your audio. Next time you go to do an interview, bring a professional quality recorder with you. The Marantz PMD620 is a professional grade digital recorder that you can slip in your pocket. It has external mics but if your own mic isn’t a bad idea either. Zoom makes some good recorders, which are even cheaper than the Marantz, but both of these recorders are less than $400. So once you’ve recorded your audio, you can use that audio for many different things. You can pitch your the sound of your interview to a radio station or NPR, who will often buy sound files, or “tape synchs.” Also you could pitch a scripted piece that you will write out and voice, with the sounds from your interview woven throughout.

3. Slideshows.
Online publications are in desperate need of photos for their sites. Photo galleries are some of the most financially lucrative parts of websites, so many publications have been hard pressed by their business departments to add one or many photos to their sites. Even if you’re not David LaChappelle, consumer grade digital cameras basically take a photo for you. Bring one along for your next story and you can add a couple extra dollars onto your story.

4. Audio Slideshows.
If you combine steps two and three together, then you have the newish phenomenon: The audio slideshow. These galleries are always a delight to see on a website, and they are relatively easy to create. Soundslides is a great program that lets you take your audio and lay it under a slideshow. If you take your audio from an interview, and juxtapose it with the images that you took, you have successfully become a multimedia journalist. It’s a simple process that adds a whole new dimension to storytelling.

5. Video Clips:
Online publications are dying to be patient zero of a viral video. If you shoot some footage on your phone, or on a Flip cam, perhaps you can help them to realize their dream. If you’re shooting with your phone or another hand held device, the best thing to do is put it down. Maybe you can set it on a book, or a table to eliminate that “Blair Witch Project” shaky-cam look. If you’re in a situation where you can’t do this, use the hand not holding the camera to hold your wrist. This will steady your camera arm enough for some passable video. Once you have the video, you should pitch it to the online or web editor at a publication.

Drew Tewksbury is a radio producer and the editor of Ebyline’s Blog, which explores the business of freelancing life.

How To Make One Story into Many By Being Multimedia Savvy

By Drew Tewksbury of Ebyline’s Blog

It’s not hard to get discouraged about writing and journalism with all the negative news in the media world. Newspapers are ceasing production, magazines are going online-only, and new outlets are few and far between.

It’s a lot of gloom and doom, written by journalists who themselves are fearing for their own job security. But it’s not just hype.
So as a writer, how are you going to get your work out there when it seems like there are fewer publications than ever before?

The key to surviving the clear cutting of print publications: Redefine and reimagine.

Try to adjust your self-image, you’re no longer just a writer, you’re a multimedia producer. You produce, you create, not just words on the page, but images, sounds, stories. You don’t have to go back to journalism school to learn to use multimedia tools or spend a lot of money on equipment; many new journalism tools are already in your pocket today. With some clever smart phone hacking and a multimedia mindset, you can make every story you report into three (or four, or five…) more stories.

Here’s how:

1. Get the Tools.
These days, being a multimedia journalist is easier than ever before. Many of us already carry the tools of the trade with us everyday. Your iPhone, Droid, or other mobile device can make a good makeshift solution in a pinch. Check out Poynter Institute’s “10 Best iPhones Apps for Journalists” for apps that shoot and publish good video, or programs that help you edit images quickly. If you want to go more pro, keep in mind that you will be able to pay off your gear with increased number of gigs you land. It’s worth it.

2. Audio.
Probably one of the easiest ways to flip a story is to repurpose your audio. Next time you go to do an interview, bring a professional quality recorder with you. The Marantz PMD620 is a professional grade digital recorder that you can slip in your pocket. It has external mics but if your own mic isn’t a bad idea either. Zoom makes some good recorders, which are even cheaper than the Marantz, but both of these recorders are less than $400. So once you’ve recorded your audio, you can use that audio for many different things. You can pitch your the sound of your interview to a radio station or NPR, who will often buy sound files, or “tape synchs.” Also you could pitch a scripted piece that you will write out and voice, with the sounds from your interview woven throughout.

3. Slideshows.
Online publications are in desperate need of photos for their sites. Photo galleries are some of the most financially lucrative parts of websites, so many publications have been hard pressed by their business departments to add one or many photos to their sites. Even if you’re not David LaChappelle, consumer grade digital cameras basically take a photo for you. Bring one along for your next story and you can add a couple extra dollars onto your story.

4. Audio Slideshows.
If you combine steps two and three together, then you have the newish phenomenon: The audio slideshow. These galleries are always a delight to see on a website, and they are relatively easy to create. Soundslides is a great program that lets you take your audio and lay it under a slideshow. If you take your audio from an interview, and juxtapose it with the images that you took, you have successfully become a multimedia journalist. It’s a simple process that adds a whole new dimension to storytelling.

5. Video Clips:
Online publications are dying to be patient zero of a viral video. If you shoot some footage on your phone, or on a Flip cam, perhaps you can help them to realize their dream. If you’re shooting with your phone or another hand held device, the best thing to do is put it down. Maybe you can set it on a book, or a table to eliminate that “Blair Witch Project” shaky-cam look. If you’re in a situation where you can’t do this, use the hand not holding the camera to hold your wrist. This will steady your camera arm enough for some passable video. Once you have the video, you should pitch it to the online or web editor at a publication.

Drew Tewksbury is a radio producer and the editor of Ebyline’s Blog, which explores the business of freelancing life.

Image by Loca Luna / Anna Gay

Why It’s A Great Time To Be A Freelance Writer

A guest post by Ali Hale from DailyWritingTips.com

“I’m going to quit my job and be a freelance writer.”

They probably weren’t words my then-boyfriend, now-husband wanted to hear. We lived in London at the time – not exactly cheap. I had a “good” day job – one which paid pretty well, considering that it was my first job out of college.

Oh, and it was spring 2008, and we were at the start of a recession.

But … I’d been dipping my toes into the freelancing waters, and I’d realized that it was a great time to be a freelance writer. That was three years ago – and today’s new freelancers are in an even stronger position.

Why do freelance writers have it so good right now? In short, the internet.

The internet has created an unprecedented demand for new content – and new specialisms, like SEO copywriting. For three years, I’ve been working as a paid blogger, something which didn’t exist when I was in high school.

It’s much easier to get a foot on the ladder now. A couple of decades ago, if you wanted to be a freelancer, you had to gradually build up a portfolio of clips – starting with writing for tiny local publications for free. Now, you can email guest posts to blogs with a circulation of hundreds of thousands – and you can be published the next day.

However, getting started isn’t quite as easy as some people would have you believe. I’m sure you’ve seen ads online saying “writers wanted” – and promising that you can succeed without any previous experience at all. You’ve probably also come across ads on Craigslist or similar, offering a miniscule rate of pay (like $2 per blog post). Sadly, there are some unscrupulous and misguided folks out there who want to take advantage of writers. And there are some desperate writers who fall prey to them.

Over the past three years, I’ve learnt a lot – sometimes the hard way! Like:

#1: Have a Strong Online Presence

I started out with a … well, in retrospect, pretty awful website. I’d designed it myself and hand-coded all the pages in html. (And I’m neither a designer nor a coder by training.) Plus, the only visitors I had were a few intrigued ex-colleagues and my mom.

I pretty quickly realized I needed a much more enticing website if I was going to attract clients. I highly recommend using WordPress – it’s free, robust, has tons of features, and is a lot more user-friendly than when I first started out. It’s definitely not just for bloggers, either – you can create almost any sort of site using it.

#2: Learn to Write for the Web

Although there are still plenty of paying print markets around, the web has been a game-changer for freelance writers. It’s easy to pick up jobs online, and web editors want a constant stream of fresh content.

The problem is, writing for the web isn’t like writing for print – especially if you’re used to academic writing or factual journalism. We read differently online, skimming through pieces, and I had to learn how to write in a more engaging conversational style, and how to use formatting tricks to keep readers (and editors) engaged.

#3: Find the Great Jobs

If you’ve ever looked for writing jobs online, you’ve probably ended up trawling through a whole bunch of scammy-looking “opportunities”.

Avoid anything which offers a revenue-share based on advertising income. Sure, they might make impressive-sounding claims – but you’re likely to end up with pennies. Look for positions which offer at least $40 for a blog post.

#4: Get Business-like

When I started out, with a couple of gigs on the side, I could keep track of all my work pretty easily. Once freelance writing became my full-time income, I had to get a lot more organized – for my own peace of mind, and to make sure that I kept my clients happy

One simple trick which really helped was to give myself more time than I needed for every deadline. If I thought I could have it done by Tuesday, I’d say Friday. That way, I had some slack if anything went wrong – and I could turn work in early if not.

#5: Use Social Media Effectively

I only got started on Twitter because a bunch of my day-job colleagues joined and I didn’t want to miss out. But once I started freelancing seriously, I realized that Twitter was a great way to build up a network of fellow writers (some of whom have sent work my way), editors, and even readers who’ve enjoyed my work.

If you’re not on Twitter, or if you’re not using Twitter effectively, take some time to learn about it. There are loads of writers on there – including famous authors like Neil Gaiman and Alexander McCall Smith – and it’s a great place to make new friends.

#6: Become More Productive

When I was a student, I thought it was a good day if I managed to write a thousand words or so. Now, I can knock out three thousand words before lunch. The online world is full of distractions – but if you’re going to make it as a freelancer, you have to be able to focus.

For me, that means avoiding my inbox, tweeting only sparingly, and ignoring the washing up until after my writing’s done for the day…

If you’re keen to start freelancing online, but you’re not sure where to begin, then I’d urge you to check out the Freelance Writing Course that I’m running with Daily Writing Tips. Registration is only open for 72 hours. This could be the course which changes your life – just like freelancing has changed mine.

And even if it’s not quite the right time for you, do give freelancing some serious thought. A lot of the people I talk to worry that they’re not good enough – but the truth is, with a little work, you’re probably more than capable of writing professionally.

So, what’s stopping you from giving it a try?

Ali Hale is a freelance writer, blogger and writing coach. You can read more from her and get all the details about her course on DailyWritingTips.com