Is Your Writing Career Missing This Single Most Crucial Element?

A guest post by Josh Sarz of Sagoyism

I read a story a while back about a farmer who was sowing seeds by hand. He would bring his pouch of seeds, go out and start sowing. The farmer threw the seeds everywhere. At first, one would think that he is losing so much because he throws handfuls of seeds on the ground. To the extremely hungry, those seeds could make a decent meal. Why would he be throwing them away like that? But when you look at the big picture, the farmer really does lose handfuls of seeds, but in time he gains bounties more.

I was reminded of this story when I was out fishing with my girlfriend and her family. I’m not good at fishing, but I love the quiet atmosphere of the place.

The rules of the park were that you throw some type of bait that they provided in order to get the fish to come closer, and then you can then hook them with your fishing rods.

My girlfriend’s niece, was a little girl by the age of 4. When she got a hold of the bag of fish bait, she tore it open and got handfuls of the stuff and threw them out to the water.

A lot of us told her that throwing handfuls of bait was not the right way to do it. She then said that the reason why she threw a lot of the bait on the water was so a lot more fish would come closer and every one of us would catch one. She said the more bait, the better.

Wisdom from a 4-year-old

Do you really want to be a writer?

If you do, then you should be open to the fact that you’ll need to throw away lots of seeds. This means you need to be prepared for a lot of sacrifice on your end.

You should be ready to sacrifice money. As a writer, one of the best tools to have at your disposal is a blog. Getting your own domain name is going to cost money. Certain tools to market your blog cost money. Writing courses cost money. Getting professional web design can be costly, unless you’re willing to learn how to do it on your own.

Then there’s time. Time is golden, but you’re going to have to be ready to sacrifice a lot of your time to work on your writing. Say goodbye to long nights of sleep. Say goodbye to spending all day every day with your family, or hanging out with friends. You can still do these, but not as much as you would want to.

There’s a significant amount of sacrifice that you have to make if you want to be a writer.

So, do you really want to be a writer?

You’re not alone

But one thing that you have to know is that you’re not alone in this.

Writers everywhere also learn that they need to sacrifice time and money for doing what they love. They understand that they have to sow their seeds.

But it’s not just writers. Every one is involved. In order to succeed at something, everyone has to sacrifice some part of their old routine. Their old lifestyle. Their old habits.

I know a lot of people who had to sacrifice spending time with their families to work on other countries, to get jobs good enough to pay for their family’s needs.

I took up a  bachelor’s degree in Nursing when I went to college. I personally know hundreds of fellow nursing graduates who had to leave the country to work in greener pastures. Their biggest sacrifice is that they can’t spend as much time with their families as they want to.

How many seeds are you willing to sow?

With sacrifice done wisely though, comes great rewards.

Like the farmer who throws away handfuls of seeds across his farm, he earns bounties more in time.

So would all your hard work. All your sacrifices will bear more fruit than you’ve ever dreamed possible. You just have to make a few wise sacrifices at first.

This  will be your big dream reward. Whatever you want, a book deal, thousands of subscribers and readers, a teaching course that will let you earn money, anything. Not just a goal, but a dream that you would work your ass off for it to come true.

I also heard a passage from the Bible related to this.

He who sows sparingly will also reap sparingly. He who sows bountifully will also reap bountifully.

No seeds to sow

I loved reading stories as I was growing up. I’ve read books from Robert Ludlum, John Le Carre, Franklin W. Dixon and a whole lot more. I got back to my roots. I loved reading books as a child, and come high school I was writing my own fantasy/adventure short stories. Ten of them, actually. I titled them ‘Hollow Dreams’. That’s why I decided to get back to writing again.

But I had a problem.

There are lots of writing courses on the Internet. Courses that I couldn’t afford. My current writing job could only provide for food and rent, and some little savings.

But I wanted to learn more. I wanted to write better. I wanted to tell stories. The same stories that inspired me as a kid growing up surrounded by paperback novels. I decided to start sowing some seeds.

I tried learning how to write by reading and studying a lot of writers’ blog posts. I’ve also got back to reading A LOT of old books that I haven’t read yet. It may not be the easiest method, but it’s what I could obtain at the moment.

Journey to be a great writer

We’re all on our journey to achieve writer immortality.

Whether we take writing courses, or dissect other people’s writing, or read books, we’re all sowing our seeds. And the more seeds we spread across the soil, the more rewards we get, in time.

A writer’s job isn’t easy. There’s a lot of sacrifice involved. But these sacrifices help us grow and improve our trade, in order to give us the opportunity to live out the dreams we had as children.

How do you sow your seeds as a writer? Let’s share our experiences and struggles in the comments section below.

Josh Sarz is a Freelance Writer, Blogger and the founder of Sagoyism, which talks about Epic Content Marketing and Storytelling . He also likes punk rock and metal, among other things.

Categories: Craft, Habits, Productivity

Writing Secrets of Prolific Authors

A guest post by David Masters of inkably: tell better stories.

Isaac Asimov, one of the big three science fiction writers of the twentieth century, published over 500 books including novels, short story collections and non fiction, making him one of the most prolific writers of all time.

Asked by Writer’s Digest magazine for the secret to his prolific writing, Asimov said:

“I guess I’m prolific because I have a simple and straightforward style.”
~Isaac Asimov (500 books)

Could it really be that easy?

Write clearly, in a conversational voice

Writing clearly, in a simple and straightforward style allows you to write fast.

At the same time, when you write fast, you don’t stop to process your thoughts . You put them straight onto the page, in a simple and straightforward style.

Best of all, writing clearly should be the goal of every writer. Clarity is the cardinal rule of nonfiction writing, and it will almost always improve your fiction.

Write fast, and you’ll have a conversational tone. You’re writing as fast as you can put the words together, just like when you’re speaking.  This gives your words power and immediacy, engaging the reader.

Literary critics dismissed Asimov’s writing as colorless, with functional dialogue and a transparent style.   Readers disagreed, buying his books in the millions.

In response to the critics, towards the end of this life, Asimov wrote:

“I made up my mind long ago to follow one cardinal rule in all my writing—to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics—Well, they can do whatever they wish.”
~Isaac Asimov (500 books)

Try to get your first draft down in 5-10 minutes

Writing fast improves your motivation to write.  If you know you’ve only got to sit down for five minutes to get a draft down, you’re more likely to sit at your desk and put pen to paper.

When you’re writing a first draft of a blog post, article, or scene, try to get your first draft down in five minutes.

Sean Platt, author of “How to Write an Article in Less Than 20 Minutes” has published 11 books in the past nine months.  He sets the following exercise:

“Get a timer and set it for five minutes. Think of a topic and write three prompts, these can be as short as a word or as long as a question. Start writing. Don’t stop until the timer goes off. Now read over what you wrote. Your writing is better than you thought it would be, right?

“This won’t seem easy until it finally is, but it will happen almost immediately. Again, don’t concern yourself with quality. You can always go back and edit, though you won’t need to clean up nearly as much as you think.”
~Sean Platt (11 books since March 2011)

Start with a question

Choosing a question to write from is the key to writing fast.  Get down the question, then focus on writing the answer.  No need to edit as you go, just write, as though you were giving your best possible answer to a friend.

How do you come up with a question?  If you’re writing a how-to article, make it the question you’ll be answering.  How do I find a holiday home in the Algave? How do I get an Angling license for the Grand Union Canal? How do I train a dog to sit on command?  The more specific the question, the better.

If you’re writing fiction, use the story question for your scene.  Or choose three words as the pith of your scene, and write from there.

Use established structures and plots

When you start writing fast, use established structures for the form you’re writing in.  Writing what you enjoying reading will help here (Asimov read science fiction from the age of 10).

As you learn to write fast in an established structure, you will gain the knowledge and experience you need to create your own structures and plots.

Romance novelist Barbara Cartland holds the Guiness World Record for the most novels written in a single year, having written 23 novels in 1983. She says:

“You can’t lose if you give them handsome highwaymen, duels, 3-foot fountains and whacking great horses and dogs all over the place.”
~Barbara Cartland (280 books)

Treat your writing as a craft

Anyone who knows how to do something well can work faster than those who are still learning.  Devote time to learning writing skills. Read books and blogs about writing. Attend writing classes.  Apply what you’ve learned to you writing. The more you learn, the faster you’ll be able to write.

Writing is a craft, so take time to edit after you write.

“I have always tried to write in a simple way, using down-to-earth and not abstract words.” ~ Georges Simenon (500 books)

Know your motivation for writing – and keep it with you as your write

You will only write if you enjoy writing.

Writing fast makes writing more enjoyable. Rather than wrenching out words, you let them flow from your fingers.

Knowing why you write will also increase your motivation. Do you love telling stories? Do you want to earn a living as a writer? Are you driven by the search for truth? Or is fame the name of your game?

Whatever your reason for writing, even if you have mixed motives, search it out, and keep it close.  It will come in handy on those days when you need an extra boost to get you sitting at your writing desk.

“Infatuated, half through conceit, half through love of my art, I achieve the impossible working as no one else ever works.”
~ Alexandre Dumas (277 books)

Write Every Day

When you’re motivated, you’ll write every day.  When you write every day, you’ll increase your motivation to write.

Some writers find they lose momentum if they don’t write every day.  Others find it better to take a break from writing every so often.  I find I lose energy to write if I don’t let myself take a break from writing one or two days a week. I usually take my break at the weekend.

“How many words a day do I write? Between six and seven thousand. And how many hours does that take? Three on a good day, as high as thirteen on a bad one”
~ John Creasey (564 books)

Never Give Up

Children’s writer Enid Blyton published over 700 books.  Like Asimov, she was criticised for her simple, earnest style.

Her writing was an immediate hit with the British public, yet BBC executives banned her work from being dramatized for radio from the 1930s to the 1950s, describing her style as “stilted and longwinded”.

Blyton continued to write and publish books until her death in 1968.

“The best way to treat obstacles is to use them as stepping-stones. Laugh at them, tread on them, and let them lead you to something better.”
~ Enid Blyton (753 books)

In the decade up to 2010, she remained in the top-ten best selling authors, with sales of nearly 8 million copies in the UK worth £31 million ($48 million).

How Much Do You Need to Write?

To write 100 books (75,000 words per book) over the next 30 years, you need to be writing 1,000 words per day (writing 5 days a week, 50 weeks per year). At a brisk but comfortable pace, that’s an hour a day.

If you want to write 100 books in the next 10 years, that’s 3,000 words a day.

Being prolific is closer to possible than you might have believed.

David Masters is a freelance writer and storyteller helping the world tell powerful stories at inkably.

Categories: Habits, Productivity

Writers: How to Avoid Stagnation

A Guest Post by Meredith Resnick of The Writer’s [Inner] Journey

When my kids were in middle school they got a lot of make-work for homework and classwork, stuff that kept them very busy but that steered them away from real creativity and by proxy, real learning.  This make-work gave the illusion that students were busy and oh so productive. Wrong. What they were really doing was chasing their tail—in other words: stagnating.

Being busy, compulsively busy even with journaling and writing and revising does not always spell productivity. As far as I’m concerned it’s a form of stagnation which is worse than writer’s block. Why? Because you have the illusion that you’re being productive—just like my kids with all that make-work in middle school.

This is my story about how to avoid stagnation. Actually, it is a post about growth.

I love getting a piece of writing to work. And by work I mean flow—which actually implies that I’ve stepped back and let the words—the work—happen. My fear, on the other hand, would like to take credit for working a piece to death and, in the process, grinding my creativity to pieces. It’s true. I try not to let my fear do my writing for me anymore. Sometimes I succumb. It’s usually the result of comparing my work to someone else’s. I would have hoped to have grown out of that by now but, oh well. If I share my experience with you it will help me, too. So, here goes:

My cautionary tale

I was the kind of writer that went out and found the right words. Really dug for them. I could spend hours researching a term. There is a place for this type of finishing-touch treatment and—lo and behold—it comes somewhere in the final stages of editing. In other words, it happens best, for me anyway, at the end, after the bulk of writing (story finding) is complete.

If I go out and dig for words too quickly, or scour my brain or dictionary for the perfect metaphor before I’ve found the real story I’m writing, I go insane (and eat too much candy). Once I’m in the insane place I keep trying this approach. Over and over. The insanity comes, not only in the seeking of the perfect words but after I’ve stepped back and realized the words I’ve chosen don’t fit or mean anything to me. If you’ve ever gone on a binge of any kind, you know what I mean.

The holding-on problem

But because I worked so hard and dug so deep for a string (gossamer) of beautiful (pulchritudinous) words, I’m likely to not want to let go of them—ever. I start trying to find ways to keep a certain sentence, to mold the story around a turn of phrase. I often fall into the trap of overdoing the flow part.

Well, yeah.

That’s the flip side.

It’s what happens if every writing session is about letting my mind and pen just go wherever they want, all my work turns into a disjointed slew that requires hours of dissection. So instead of finding the perfect words out there in the dictionary, I’m on a treasure hunt across 10 new journals I’ve penned. I may look busy. But I’m spinning (in place).

Same stagnation, different disguise.

Granted, I’ll unearth a few gems waiting to be polished (or maybe they come ready to use). But the time I spend untangling the jungle of roots (beginning of ideas) instead of growing those ideas is more stagnation. I waste more time and energy trying to surgically extract the phrases that work from the stuff surrounding it. I get bogged down, pent up and tired. The joy of sitting down to accomplish turns into make-work that keeps me from moving forward. For a writer, this is stagnation.

So what to do? Here’s what I do:

Be nice (to myself). Understand that when I sit down to write I’m treading two paths: I’m simultaneously finding the story and relaying the story with language that moves the story along. In the beginning and middle, I keep my eyes on the finding the story, not on finding the words.

Listen (to myself). I resist the urge to be seduced by teachers and books and workshops and websites that tell me to focus too soon on technique. (My ego likes those.) Instead, I pay attention to teachers who say simple things like: “Keep going.”

Trust the process. I don’t get bogged down in “the language” and “the turn of phrase” and “the big brush strokes” and any number of other writer catch phrases I may have heard or read about. That comes later. And later always comes as long as I dedicate myself to the process in the correct order: Write first, edit (word find, cut, revise, finesse) second.

Remember. Understand that I do have a story to tell. As do we all.

Meredith Resnick’s personal essays have been published in Newsweek, Los Angeles TImes, PsychologyToday.com, JAMA, Culinate, Santa Monica Review and many more. Visit her at The Writer’s [Inner] Journey, a finalist in the 10 Top Blogs for Writers Contest 2011/12, Meredith is mesmerized by all facets of the creative process.

Categories: Craft

Writers – Have You Developed THIS Skill?


By Mary Jaksch, Chief Editor of Write to Done

These days, if you want to make it as a writer, you need to do more than just write well.

It used to be enough, but …

Before we all went digital, every writer’s dream was to be discovered by a publishing house. The publisher would then take care of editing, production, publicity, public relations, distribution – in fact, nearly everything, apart from the act of writing.

Now, aspiring writers are free to publicize their stuff on blogs, in digital magazines, or in eBooks. They can control when and how their material is published, how much it’s sold for, and how it’s publicized.

With this freedom comes a challenge. We need to take up some of the tasks that used to be the domain of publishers.

The most important task is to connect with readers.

How to do it?

We can learn from how publishers connect writers with readers. Publishers get the writer’s face out there any way they can: they arrange interviews with magazines and  TV programs, create news items, and organize book signings and speaking engagements.

You need to put YOUR face out there.

Yes, this can feel scary. But it doesn’t have to be. Learning to create videos can be a lot of fun!

Watch the video below… (if you’re reading this by email, click here to watch the video)



If you want to learn how to create videos in a fun and easy way, join our Bootcamp: How to Blog with Video. It’s a 2-week interactive course.

  • Learn how to relax in front of a camera.
  • Get confident at creating a ‘talking head’ video.
  • Learn how to shoot, edit, and upload a headshot video (both Mac and Windows users).
  • Get all the tricks and tips on how to light your video so that you look like a star.
  • Learn how to create a PowerPoint or Keynote slide show
  • Turn your slide shows into stunning screencast videos
  • Learn the secrets of how to trigger  emotion by adding voiceover and music.
  • Know how to publish your videos to YouTube, Vimeo, and other sites, and embed them on your blog.
  • Have fun creating videos!

    • We start on Saturday, 21 Jan.  Click here to to find out more.

    Categories: Craft

    The Pros and Cons of Comparing Yourself to Other Writers

    A guest post by K.M. Weiland of Wordplay: Helping Writers Become Authors

    With the advent of writing communities on such networking sites as Twitter and Facebook and half a thousand forums and Nings, writers are perhaps more social and less solitary than at any time in our history.

    This brings its fair share of both benefits and drawbacks, since our easy access to other writers—both those who are striving to be published and those who have a dozen bestsellers under their belts—causes inevitable comparisons.

    Are we as good as they are?

    Are they as good as we are?

    Let’s explore what we can gain from answering these questions, as well as the pitfalls to avoid.

    Cons

    Jealousy: Easily, the most destructive con of comparison is that of jealousy. Sometimes this jealousy is the simple result of having read a book that spun its tale with such gossamer characters and seamless themes that we were left astonished.

    We look at this brilliant author’s perfect prose, and we hate them just because they’re so much better than us. Or perhaps a writing buddy has just nailed a plum contract with the Agent of the Year. What did she do to deserve that honor, especially when—let’s be honest here—her writing leaves a lot to be desired compared to ours?

    Jealousy is a flaw common to the vast majority of writers (due largely to the next con on our list), but it’s one that gets us exactly nowhere. The sooner we can stand up to our feelings of jealousy, put them behind us, and work toward being genuinely happy for our fellow writers, the more content and the more productive we’ll be.

    Because, let’s face it, there’s always someone who’s better, richer, or luckier than we are. Jealousy is a never-ending melodrama of pain and pettiness.

    Inferiority: Perhaps the reason jealousy is so prevalent among authors is that it almost always follows on the heels of its kissing cousin: inferiority. Very few writers are able to maintain perfect confidence in their skill.

    When we run across a writer whose prose is more effortless than ours, whose characters are more realistic, whose paychecks are larger, and whose accolades are louder, we can’t help but compare. And when we find ourselves wanting, we either want to plot laborious and exhaustive murder for the object of our comparison, or we want to crumple in a corner and bawl at our general wretchedness. Sometimes both.

    In one sense, this chronic inferiority complex is actually a positive thing, since it keeps us honest. As Orson Scott Card put it in How to Write Science Fiction and Fantasy, “Writers have to simultaneously believe the following two things: The story I am now working on is the greatest work of genius ever written in English. The story I am now working on is worthless drivel.”

    Maintaining humility in our work is crucial to our genuineness as artists. But we can’t take this too far. We have to be able to reach a place of objectivity from which we can honestly compare our work to other writers, glean what we can from that comparison, or, if there’s simply nothing to be gained (as would be the case if we, say, compared the latest advance on our books to Stephen King’s), shrug it off as the inconsequentiality it is.

    Pros

    Inspiration: Comparing ourselves to other writers isn’t all bad. So long as we keep the downfalls in mind and are prepared to avoid them, we can actually gain a number of benefits from considering our fellow writers and how we measure up against them.

    Honestly, can you imagine living entirely segregated from writerkind?

    That would mean no books to read.
    No fellow crazies to understand our quirks and obsessions.
    No writerly energy to feed off.

    We gain our inspiration from the art of others, from hearing about our writing buddies’ struggles, and from bouncing ideas back and forth.

    If I were to write a thank you note to every author I’ve read, loved, and inevitably compared myself too, I probably wouldn’t have time to finish my next novel. Because most of us write the kind of books we enjoy reading, we are constantly reading books that are similar to our own. We recognize similar elements, compare them, and learn how to improve our own characters, plot, and prose as a result.

    It’s a win-win situation, because who’s to say our mentors may not someday read one of our stories and find some similarity that brings that next epiphany to their writing?

    Motivation: Once we get over the crumpling and crying brought on by our sense of inferiority in comparing ourselves to great writers, our next step is to rise from the ashes, pen in hand, motivated to blot out the very reason for our inferiority. The brilliance of this other author isn’t a boulder to crush us; it’s a mountain to scale.

    Perhaps today we’re not good enough to be mentioned in the same breath with our heroes, but, you know what? If they can do it, so can we!

    Reading great writers and comparing their brilliant stories to my own has been one of the single greatest factors in motivating me to keep writing, keep learning, keep trying. Nothing is more exciting to the dedicated writer than reading good fiction. Good stories excite us and drive us forward. We close the covers on a good book, and the first thing we want to do (after buying the sequel) is run to our keyboards and funnel all that inspiration and motivation into our own writing.

    As with so many things in the writing life, successfully comparing ourselves to other writers is all about balance. If we can tamp a lid on the cons and embrace the pros, we can use the success of our fellows to launch ourselves to even greater heights.

    It should be the goal of every writer to be comparison worthy. Hearing someone say, “I wish I could write as well you,” isn’t only the highest of compliments, it’s also a sign you’re giving back to the writing community the benefits you drew from it yourself.

    About the Author: K.M. Weiland is the author of the historical western A Man Called Outlaw and the medieval epic Behold the Dawn. She enjoys mentoring other authors through her writing tips, her book Outlining Your Novel: Map Your Way to Success, and her instructional CD Conquering Writer’s Block and Summoning Inspiration.
    ___________________________________________________________________________________________________

    Do you want to be an outstanding blogger? We’ll show you how. Join our spectacular training for bloggers, the A-List Blogger Club. Click below to find out more:

    Categories: Creativity, Habits, Reading - Tags: , , , , , ,

    Next Page »