Welcome to Write To Done

The Golden Rule of Writing

woman writer

A guest post by Eric Cummings of On Violence

I learned what I consider the “Golden Rule of Writing” – the only rule that can help every writer – in the first creative writing class I ever took. Of course, I didn’t learn the rule immediately, or even in the first class. My classmates and I first had to learn how different we were from one another as writers.

Our teacher, an old bald Caribbean man with missing front teeth and a stoop, began by asking the class, “How do you write?”

Some students wrote on computers, others in journals; I wrote long hand on legal pads. Some wrote in the morning at their home, others at night with friends; I wrote by myself at the library in the afternoon. Our professor wrote memoir fiction about his sexual escapades in the Caribbean standing at a lectern a la Hemingway. We wrote literary fiction, memoirs, and detective stories; newspaper articles, editorials, and e-mails. We were men and women, young and old, lazy and prolific, borderline illiterate and consummate professionals. Some of us needed two drafts, others needed dozens. We were a microcosm of the rest of the writing universe: no two writers write the same way.

The problem with learning the “rules” for writing is that none of them apply to everyone.

How can any rule possibly apply to everyone? I co-write my blog with my twin brother, and we don’t write the same way. What rule can cover journalism and blogging, poetry and prose; authors like James Joyce, who struggled to write seven words a day, or Nora Roberts, who writes multiple books a year? If a golden rule exists, it needs to unite all writers.

I learned the Golden Rule of Writing on my second day in class, as my story about a farmer and a mule was read aloud. I had spent some time writing it, one day rewriting it, and another afternoon editing it. I was nervous but confident. It was a good story.

The story began, “Light barely flooded into the room.”

“Wait.” Less than a sentence in, the Professor stopped the student reading my story. He turned to me, “Eric, what do you mean, ‘Light barely flooded into the room.’?”

“Well, it is sunrise, and the sun is coming up.” I said.

“But how can light ‘barely flood’ in? Do you mean the word flood?”

Light could either barely trickle in, or flood in, but it couldn’t do both. The lesson wasn’t that I needed to be clearer and more precise with my language–though I did–it was that I didn’t know what my words meant. I didn’t own the words on the page. The questions the professor asked us over the course of the quarter were always the same, “What do you mean?” “What did you intend here?” or “Why did you use this word?”

What is my Golden Rule of Writing? It’s this:

Intend every word you write.

Be aware of what your words mean, and make sure that the meaning aligns with what you are trying to say. Writing is communication; don’t we all want to communicate as accurately as possible?

(I hear the guy in the back saying, what if I want my writing to be confusing? Then be confusing, but do it intentionally.)

Notice how my professor coached me on my writing. He didn’t tell me what words to use, he didn’t tell me my mistake. He asked questions. Perhaps I meant to put the words together, as a poetic statement. Or perhaps the idea or the image I meant to convey wasn’t being conveyed. He made me aware of what my words meant. The lesson was clear: these were my words, dammit, and I needed to own them.

As my above example shows, the Golden Rule of Writing is not an easy one, especially when you write for readers. Your intention needs to jibe with what you want them take away from you work. (Perhaps you write only in your journal. You follow the Golden Rule every time you write, because you express what you mean every time you write, because you are writing for yourself.)

Below, I have seven tips for implementing intentionality behind your writing, to better convey what you want to say.

1. When you revise your work ask yourself, “Does this convey what I want to convey?” Ask yourself this question after every line, especially when writing fiction.

2. Think about your reader. Who is your intended audience? If you’re writing your church newsletter, then you probably aren’t going to want to include any swear words. Think about your reader, and write to them, being aware of how they will react to your words.

3. Think about the meaning of every word you write. James Joyce spent whole days writing just a handful of words, spending hours thinking about them and their meaning. Now, I hear you saying, “Whoa, I don’t have that much time.” True. But you can ask yourself, “Do I really know what this word means?” “Am I using it correctly?” “Will my intended audience get what I am trying to say?” Spend more time on longer sentences and bigger words.

4. Look out for especially “arty writing” The best writing is unlike anything anyone has ever seen before. But I’m not F. Scott Fitzgerald, James Joyce or Cormac McCarthy, and neither are you. So when you write something especially clever, unique or “arty,” double check it to make sure it makes sense. I learned this rule from personal experience.

5. Use a dictionary. Check it to see if that word means what you think it means.

6. Listen to podcasts about grammar, and read books and blogs about it. Did you know that non-plussed means confused, or bewildered? Do you know what a gerund is? Neither did I, until I started educating myself. I recommend the podcasts Grammar Grater and Grammar Girl, the books Writing With Style By Trimble and The Writer’s Reference. If you are revising your work and something strikes you as strange, look it up. It will add to your overall knowledge of grammar, usage and the written word.

7. Read. This is the single best way to add to your vocabulary and your knowledge of language and writing.

Ultimately, the Golden Rule of Writing is not about conformity, but freedom. Do you dislike semi-colons? Don’t use them. Do you want to start sentences with “and,” “but,” or “because?” Then go ahead, it’s your writing. If you want to use a word incorrectly, go ahead. But use it incorrectly on purpose, knowing the implications of that misuse.

With the Golden Rule of Writing, you are free to convey whatever idea, thought or image you want. You are free to tell whatever story, write whatever essay, or compose any poem you want. But write it with intention.

Eric Cummings writes for On Violence, a blog on counter-insurgency warfare, military and foreign affairs, art, and violence, written by two brothers–one a soldier and the other a pacifist.

Flow to Done: Tap Into Your Creative Source

flowtodone

A guest by Everett Bogue of Far Beyond The Stars

There are millions of distractions that the modern day writer has to put up with in order to get their ideas out there. Twitter, Facebook, your feed reader, they’re all conspiring to distract you from getting your writing down on the page.

Did you know, when you’re multitasking between writing and doing something else, it can take up to thirty minutes to get your mind back on track? Flip-flopping between activities is not an option for a writer who’s trying to get some writing done.

This is why I subscribe to a method of pure writing flow. It’s one of the many ways that I use to counter the background noise bubbling up from every direction.

What is flow? It’s kind of like a river of writing, it’s an uninterrupted stream of consciousness directly from the source of your creativity through your brain, into your nervous system, out your hands, into your computer. I like to think of it as zen writing meditation.

There is some important prep work that needs to be done before you’re ready for some serious writing flow time:

1, Isolate yourself.
Shut the door to your study, turn off your cell phone, turn off your email program, shutdown your Twitter. Make note of any other things that I haven’t mentioned here that could possibly distract you from entering the flow. Make sure they can’t beep, howl, vibrate or demand anything from you.

2, Just you and computer.
I write with a program called WriteRoom, which turns my Mac into a tool for simply writing. A simple text editor will work as well. This way it’s just me and the words I type, nothing more. There’s no jumping dock icons grasping my attention, it’s just me and the writing. This is important, because it’s so easy to open Firefox and get lost in the internet. Sometimes if I find that WriteRoom isn’t enough isolation, I’ll turn off the internet altogether.

3, Don’t start writing, yet.
Take a moment and center yourself. I usually do around fifteen minutes of quiet contemplation before I even start touching keys. Focus on the idea that you have, but not too hard, just enough to see a vague outline of what you want to achieve. Why? Because this gives my mind a chance to let everything else in the world go, and just focus on the task at hand: writing.

And now it’s time to write, let the worlds spill out of you onto the page, and trust that they’re okay. There are moments in every creative’s life when they tap into the source of their creativity and they’re able to ride that creativity unto a finished project. With this writing philosophy I’m trying to get at that creative source.

Don’t edit yourself.
While you’re flowing, it’s important not to go back and edit things that you may have screwed up. Accept that you spelled miscellaneous wrong, and realize that you’ll be able to go back and fix that after you’re done. You’ll be able to rearrange paragraphs, after your flow is complete. If you stop and fix these things now, you’ve broken the stream of thought and you’ll have to start from scratch.

The time to edit yourself, to second guess what you did, is after your flow is over. When your copy has gone the full life-cycle from conception to being fully typed on the page.

Don’t second guess yourself.
You might be looking at the words coming out of you, and saying ‘wow, this absolutely crap.’ ignore that little voice. It’s trying to sabotage your writing, if you stop and delete what you’ve put out now, you’ll never get to the next sentence, which will inevitably be more brilliant than the one you’re writing now.

The important part is to bypass your inner critic and editor, as they’re conspiring to destroy your ability to get your ideas down on the page.

Keep the pace.
Imagine flowing like kayaking down stream a moving river, but you’re not the boater, you’re the kayak. No matter what happens, even if the person in control stops paddling for a bit, you’re going to keep going. The words will keep coming out of you and out onto the page, until you’ve reached the place where you pull the boat out of the water.

There are several other art forms that tap into spontaneous flow.
MCing is one of these art forms, rappers commonly tap into a stream of consciousness, a process that bypasses any second guessing. The words are moving so quickly out of a rapper’s mouth that they don’t really have time to pre-formulate those words.

Improv dance is another art form that involves tapping into flow. The dancer simply moves spontaneously to the music without any pre-choreographed movements. One of the goals in improv is to bypass the inner critic and just do the first physical action that drops into
your mind. This same philosophy can apply to writing.

Like any skill, flow takes practice to master.
Some people will be better at it initially than others. Don’t judge yourself if your inner critic is screaming at you to stop writing, just acknowledge that it’s there, and with time you can learn to ignore it and just write with the pure energy of your thoughts. Try flowing for short periods of time initially, maybe twenty minutes? And then gradually build on that time frame.

Eventually you might be able to do an hour of free flow writing, or imagine being able to flow for six hours straight? You’d be able to write tens of thousands of words, wouldn’t that be amazing?

Everett Bogue writes a blog on Minimalism called Far Beyond The Stars.

One is a Lonely Number – Why You Need a Writing Mentor

number 1

A guest post by Jules Clancy from stonesoup

This writing business can be a lonely endeavour. We’ve all been there. Self imprisoned in our lonely garrets – or more likely behind our laptops. Reaching out to the world with our writing but feeling helpless and alone.

Fear not fellow writers. There is hope. I’ve recently discovered a wonderful way to overcome the fear and feel connected with the rest of the world. Let me introduce you to the benefits of finding yourself a writing mentor.

Benefits of a writing mentor

1. Confidence boost
To give your confidence a well deserved boost, there’s nothing like having another writer who you respect and admire take an interest in you and your writing.

2. Inspiration
Talking (or emailing) someone who has already achieved some of your own goals can be incredibly inspirational – not to mention motivating. It’s all about bringing it to life and making the path to success a little clearer.

3. Contacts – opening doors
The world of publishing is notoriously tough and unfortunately it is still often all about who you know. Having a well connected mentor can be a way to gain some introductions. But you should never expect this as a given – it’s up to the generosity of your mentor. Nor should you forget that all the best contacts won’t overcome a lack of commitment or talent.

4. Help you achieve your dreams
Having access to someone who has already achieved similar goals can be invaluable. We all learn from our experiences so why not make the most of someone elses wisdom rather than re-inventing the wheel yourself.

A mentor may open you eyes to possibilities you haven’t even dared to dream.

5. Impartial constructive feedback
Hollow flattery can be easier to come by than genuine constructive feedback. No one is perfect and we all need to be reminded from time to time. If we aren’t made aware of our short comings and what we need to do to improve, we’ll never learn and grow as writers – or as people for that matter.

Continue reading »

How to Write a Novel in 30 Days


Get your pencils sharpened for November.

By Leo Babauta

I’ve decided to take the plunge and join NaNoWriMo in November (for the 2nd time), attempting to write 50,000 words of a novel in 30 days.

Join me!

I successfully completed NaNoWriMo in 2006, and it was an incredible time. It was a lot of fun, and joining with the efforts of tens of thousands of fellow writers is an experience like no other.

Just a few reasons to do NaNoWriMo:

1. It gives you the motivation to finally write that novel.
2. It teaches you some good habits — getting writing done every day.
3. You learn a lot about yourself when you’re put to the test like this.
4. Like I said, it’s tremendous fun to join up with so many enthusiastic writers.

So I’ll be doing it, and today I’d like to share my secrets to being successful at NaNoWriMo. I’ll also share some tips about midway through the challenge, and some lessons learned after it’s over.

Continue reading »

The Tarot as a Tool for Writing Your Novel

Note from the Editor: November sees the beginning of NaNoWriMo, or National Novel Writing Month. Anyone can join the thirty days of literary abandon. WTD will run posts to inspire and encourage you on the way.

By Marelisa Fábrega of Abundance Blog

National Novel Writing Month (NaNoWriMo) begins in just a few days, on November 1st, and thousands of would-be authors are registering with high hopes of crossing the finish line on November 30th, novel firmly in hand. The objective of writing at least 50,000 words in 30 days doesn’t seem so daunting, until the sobering thought hits that you have absolutely no idea what you’re going to write about. Or perhaps you do have an idea—one that would look great as a blurb on a book jacket cover–but the plot is eluding you, or you can’t see your novel’s characters very clearly. One solution is to prime your creativity pump by turning to the tarot.

Although the tarot is most often used as a tool for divination, tarot cards are also great, practical tools for writing and creative thinking. Corrine Kenner, author of “Tarot for Writers”, explains that well-known writers, such as John Steinbeck and Stephen King, have used tarot cards for inspiration. She adds that Italian novelist Italo Calvino went so far as to call the tarot “a machine for writing stories.”

If you’re thinking of writing a novel, you can apply the imagery and symbolism of the 78 cards of the tarot to help you develop plot, conflict, character profiles, dialogue, and scenery, as well as to introduce unpredictable elements. The cards can even serve as a creativity prompt if you hit a brick wall while you’re writing. With a tarot deck beside you, you won’t be starting out with a blank sheet of paper. Instead, you’ll have a world of imagery as your disposal, which, if you allow your imagination and intuition to step forward, will begin to move, speak, and take action. This article will help you get started in using the tarot to write your novel.

Choosing a Tarot Deck

There are many different tarot decks which you can choose from, including everything from the Lord of the Rings Tarot–with “Death” depicted as Gandalf fighting the Balrog–to a Jane Austen Tarot, in which each card represents a character or scene from one of her novels. Arthur Edward Waite and Pamela Colman Smith created the best-selling Rider-Waite-Smith tarot deck in 1909, and that’s the deck we’ll be referring to in this article. You can either purchase a deck from Amazon, or you can print the cards out, for free, here.

Continue reading »

Continue Next page