The Pros and Cons of Comparing Yourself to Other Writers

A guest post by K.M. Weiland of Wordplay: Helping Writers Become Authors

With the advent of writing communities on such networking sites as Twitter and Facebook and half a thousand forums and Nings, writers are perhaps more social and less solitary than at any time in our history.

This brings its fair share of both benefits and drawbacks, since our easy access to other writers—both those who are striving to be published and those who have a dozen bestsellers under their belts—causes inevitable comparisons.

Are we as good as they are?

Are they as good as we are?

Let’s explore what we can gain from answering these questions, as well as the pitfalls to avoid.

Cons

Jealousy: Easily, the most destructive con of comparison is that of jealousy. Sometimes this jealousy is the simple result of having read a book that spun its tale with such gossamer characters and seamless themes that we were left astonished.

We look at this brilliant author’s perfect prose, and we hate them just because they’re so much better than us. Or perhaps a writing buddy has just nailed a plum contract with the Agent of the Year. What did she do to deserve that honor, especially when—let’s be honest here—her writing leaves a lot to be desired compared to ours?

Jealousy is a flaw common to the vast majority of writers (due largely to the next con on our list), but it’s one that gets us exactly nowhere. The sooner we can stand up to our feelings of jealousy, put them behind us, and work toward being genuinely happy for our fellow writers, the more content and the more productive we’ll be.

Because, let’s face it, there’s always someone who’s better, richer, or luckier than we are. Jealousy is a never-ending melodrama of pain and pettiness.

Inferiority: Perhaps the reason jealousy is so prevalent among authors is that it almost always follows on the heels of its kissing cousin: inferiority. Very few writers are able to maintain perfect confidence in their skill.

When we run across a writer whose prose is more effortless than ours, whose characters are more realistic, whose paychecks are larger, and whose accolades are louder, we can’t help but compare. And when we find ourselves wanting, we either want to plot laborious and exhaustive murder for the object of our comparison, or we want to crumple in a corner and bawl at our general wretchedness. Sometimes both.

In one sense, this chronic inferiority complex is actually a positive thing, since it keeps us honest. As Orson Scott Card put it in How to Write Science Fiction and Fantasy, “Writers have to simultaneously believe the following two things: The story I am now working on is the greatest work of genius ever written in English. The story I am now working on is worthless drivel.”

Maintaining humility in our work is crucial to our genuineness as artists. But we can’t take this too far. We have to be able to reach a place of objectivity from which we can honestly compare our work to other writers, glean what we can from that comparison, or, if there’s simply nothing to be gained (as would be the case if we, say, compared the latest advance on our books to Stephen King’s), shrug it off as the inconsequentiality it is.

Pros

Inspiration: Comparing ourselves to other writers isn’t all bad. So long as we keep the downfalls in mind and are prepared to avoid them, we can actually gain a number of benefits from considering our fellow writers and how we measure up against them.

Honestly, can you imagine living entirely segregated from writerkind?

That would mean no books to read.
No fellow crazies to understand our quirks and obsessions.
No writerly energy to feed off.

We gain our inspiration from the art of others, from hearing about our writing buddies’ struggles, and from bouncing ideas back and forth.

If I were to write a thank you note to every author I’ve read, loved, and inevitably compared myself too, I probably wouldn’t have time to finish my next novel. Because most of us write the kind of books we enjoy reading, we are constantly reading books that are similar to our own. We recognize similar elements, compare them, and learn how to improve our own characters, plot, and prose as a result.

It’s a win-win situation, because who’s to say our mentors may not someday read one of our stories and find some similarity that brings that next epiphany to their writing?

Motivation: Once we get over the crumpling and crying brought on by our sense of inferiority in comparing ourselves to great writers, our next step is to rise from the ashes, pen in hand, motivated to blot out the very reason for our inferiority. The brilliance of this other author isn’t a boulder to crush us; it’s a mountain to scale.

Perhaps today we’re not good enough to be mentioned in the same breath with our heroes, but, you know what? If they can do it, so can we!

Reading great writers and comparing their brilliant stories to my own has been one of the single greatest factors in motivating me to keep writing, keep learning, keep trying. Nothing is more exciting to the dedicated writer than reading good fiction. Good stories excite us and drive us forward. We close the covers on a good book, and the first thing we want to do (after buying the sequel) is run to our keyboards and funnel all that inspiration and motivation into our own writing.

As with so many things in the writing life, successfully comparing ourselves to other writers is all about balance. If we can tamp a lid on the cons and embrace the pros, we can use the success of our fellows to launch ourselves to even greater heights.

It should be the goal of every writer to be comparison worthy. Hearing someone say, “I wish I could write as well you,” isn’t only the highest of compliments, it’s also a sign you’re giving back to the writing community the benefits you drew from it yourself.

About the Author: K.M. Weiland is the author of the historical western A Man Called Outlaw and the medieval epic Behold the Dawn. She enjoys mentoring other authors through her writing tips, her book Outlining Your Novel: Map Your Way to Success, and her instructional CD Conquering Writer’s Block and Summoning Inspiration.
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4 Reasons to Appreciate Your Self-Doubts

A guest post by Joan Dempsey of Literary Living

Let’s face it – every one of us experiences self-doubt, even the most well-established writers. Dean Koontz, for instance, an author who has sold more than 400 million books and is one of the most highly paid writers in the world, says “I have more self-doubt than any writer I know.”

And Alice Munro, the celebrated Canadian writer who’s been called our Chekhov, worries every time she finishes writing a book that she’ll never write again.

Let’s agree, then, that self-doubt is an ordinary part of every writer’s experience, even yours. You’ll never be without it. The question is, what can you learn from it?

Here are four reasons to appreciate your self-doubt.

1. Self-Doubt is a Protective Instinct

Self-doubt arises out of your own instinctive desire to protect yourself, which is actually a nice impulse that you probably don’t often acknowledge. We usually bemoan or bludgeon our self-doubt; we believe what writer Sylvia Plath famously claimed, that “the worst enemy to creativity is self-doubt.”

I beg to differ!

You can be more creative if you welcome and examine your self-doubts.

It’s true, though, that we writers allow our doubts to keep us away from our work. Why? To protect ourselves from pain. Author James Baldwin says we’re good at fooling ourselves because we don’t want to get hurt. “We don’t want to have our certainty disturbed,” he said.

Psychologists call this self-handicapping . If you stay away from your work you’ll never have to face the pain of writing poorly, or you can fool yourself into thinking you’ll be a great writer if you do get down to work.

The problem with that, though, is that you’ll never really be a writer. Baldwin believed that the trick is to know when you’re fooling yourself.

The best writers live an examined and therefore honest life, and that includes scrutinizing your self-doubt.

2. Self-Doubt Sounds an Alarm

Not unlike a smoke detector, self-doubt alerts us to the presence of fear, the typical cause of our doubts.

Thich Nhat Hanh, a well-known Buddhist teacher, advises us that because fear is a natural and constant presence in our lives, we’d do well to welcome it rather than fight it:

It is best not to say, “Go away, Fear. I don’t like you. You are not me.” It is much more effective to say, “Hello Fear. How are you today?”

The next time you feel self-doubt, don’t despair or fight – look around to see what might be smoldering; be grateful for the alarm.

3. Self-Doubt is a Call to Action

Dean Koontz is notorious for obsessively polishing his paragraphs. “I began this ceaseless polishing out of self-doubt,” says Koontz, “as a way of preventing self-doubt from turning into writer’s block: by doing something with the unsatisfactory page, I wasn’t just sitting there brooding about it.”

In Koontz’s case, feeling uncertain about his abilities actually motivated him to take an action he might otherwise not have pursued.

Similarly, Write-to-Done Chief Editor, Mary Jaksch, believes that a “healthy dose of self-doubt, of not knowing” can lead writers to the “edge of creativity” by not allowing us to stay complacent.

I learned this first-hand through kayaking. After more than twenty years of paddling, I finally took a safety class. I realized I’d avoided such a class because I was afraid I wouldn’t have the strength to learn the appropriate skills. But the longer I kayaked, the more my fears began to be about saving someone’s life. I knew I didn’t have the right skills to be safe and those doubts about my ability became my call to action. I took a safety course and before long I was happily flipping over in my boat, certain I had the skills to save myself from drowning.

4. Self-Doubt Provides Fresh Perspective

If you keep your doubts to yourself you’re missing a valuable opportunity. By sharing your doubts with friends and writing colleagues you’re bound to get a fresh perspective. Others often don’t see your failings or uncertainties in the same way you do.

By sharing your doubts you’ll likely learn something new about yourself, feel companioned, hear a helpful cheer, or receive a much-needed boost to your self-esteem.

James Baldwin, in discussing why he writes, says he does so to describe. What he means is that by describing something in detail you come to understand it intimately. Describe your doubts in writing, or through dialogue – either way, your new understanding can help disarm your doubts.

The next time self-doubt keeps you away from your writing, try this:

  • Review these four reasons to appreciate your doubts;
  • Say “Hello, self-doubt, how are you today”; and
  • Get to work.

What have you learned from your self-doubts?

Joan Dempsey is a writer and the founder of Literary Living, an online program for serious, aspiring writers who want to overcome resistance and self-doubt to create a unique writing life. Sign-up for more information, a free audio interview with Leo Babauta, and a free e-book, The Power of Deliberate Thinking: 5 Strategies for Staying at the Writing Desk (Despite Your Self-Doubts)

201 Ways to Arouse Your Creativity

Arouse your creativity

A guest post by Katie Tallo of Momentum Gathering.

Electric flesh-arrows … traversing the body. A rainbow of color strikes the eyelids. A foam of music falls over the ears. It is the gong of the orgasm. ~ Anais Nin

Creativity is like sex. You fumble your way through, you get lost in it, you fall in love. Both are passionate, rhythmic, pleasurable, and flowing. Both can bear fruit. And both can rack your soul with vulnerability, bliss, fear and awkwardness.

I know, I know. Last time I appeared on Write to Done, I was naked so you’re probably thinking, “Is this woman sex-crazed?” Well, I do like to bare my soul once in a while, but what I love even more is exposing other people’s secrets.

The people I speak of are writers. They lust writing. When you’re in lust, you can be desperate to keep that feeling alive. So when creativity goes limp, writers are the ones who know the secrets to keeping it interested. They know how to flirt with it, tease it and arouse it. In fact, they know hundreds of ways to get their creative freak on.

Below, I’ve exposed some of their secret tips, methods, and techniques. After all, they just left them strewn across the web. I lovingly picked them up, adapted and played with them. Some are contradictory and some are in harmony. Dig in. Use the ones that entice your creativity the most. If you want more, link to the source for the original juice.

Now, lie back, relax and take pleasure in these 201 provocative ways to arouse your creativity.

Great hacks from Merlin Mann of 43 Folders

  1. Talk to a monkey. Explain what you’re really trying to say to a stuffed animal.
  2. Do something important that’s very easy.
  3. Try free writing.
  4. Take a shower; change clothes. Give yourself a truly clean start.
  5. Write from a persona. Lend your voice to a writing personality who isn’t you.
  6. Get away from the computer. Take pen and notebook, and go somewhere new.
  7. Quit beating yourself up. You can’t create when you feel ass-whipped.
  8. Stop visualizing catastrophes, and focus on positive outcomes.
  9. Stretch. Maybe try vacuuming your lungs.
  10. Add one ritual behavior. Get a glass of water exactly every 20 minutes. Do push-ups. Eat a Tootsie Roll every paragraph. Add physical structure.
  11. Listen to new music. Try something instrumental and rhythmic that you’ve never heard before.
  12. Write crap.
  13. Finish something.
  14. Write the middle. Stop whining over a perfect lead, and write the next part or the part after that.
  15. Do one chore. Sweep the floor or take out the recycling. Try something lightly physical to remind you that you know how to do things.
  16. Make a pointless rule. You can’t end sentences with words that begin with a vowel. Limits create focus and change your perspective.
  17. Work on the title. Quickly make up five distinctly different titles. Meditate on them. What bugs you about the one you like least?
  18. Write five words. Literally. Put five completely random words on a piece of paper. Write five more. Try a sentence. Could be about anything. A block ends when you start making words on a page.

    Rejuvenating Tips from Joel at Lifehack

  19. Surround yourself with creative people.
  20. Develop a morning ritual.
  21. Do an info-dump so your head is clear enough to create instead of worry.
  22. If you’re a crime writer, read fantasy. If you’re a productivity writer, read something about slacking off.
  23. Imitate the real world.
  24. Drink too much coffee.
  25. Play chess. Go outside. Sing in the shower.
  26. Don’t be too precious about your work. If the doctor and the garbage man can do their jobs every day, then those in a creative line of work can too.
  27. Consume information by the bucket load. The more you know, the more you can create from that knowledge.
  28. Meet new people from different walks of life. Strike up a conversation on the bus.
  29. Shut out the world. Instead of sucking in new information, sit quietly.
  30. Creativity is a muscle. Exercise it daily.
  31. Carry a notebook everywhere.
  32. Write down a list of ideas and draw random arrows between them.
  33. If you’re not on a tight deadline, walk away and do something completely unrelated.
  34. Create a framework. Instead of trying to rely on pure inspiration, think within the box you create for yourself.
  35. Remove obstacles to creativity. That friend who calls to complain about their life can wait until you can afford to get stressed about their problems.
  36. Don’t judge your ideas until you have plenty to judge.
  37. Keep a journal. It can get your mind working.
  38. Stop telling yourself you’re not creative.
  39. Don’t be a workaholic. Take breaks.
  40. Experiment randomly.
  41. If one thing isn’t working, try a new strategy.
  42. Choose a topic and write about it as wonderfully or badly as you possibly can.
  43. Trash what you’re working on. Start again.
  44. Exercise every day, before you sit down to be creative.
  45. Spend time with your children. Or someone else’s.

    Tips from Amy Ng of Pikaland

  46. Experience sights, sounds and smells. Sitting still won’t bring new ideas in; experimenting and trying new things will.
  47. Maintain a certain pattern to the day. A morning bath can start your work with a fresh mind and spirit.
  48. Jot down notes every night before bed and actively place worries onto paper.
  49. Keep a box labeled for each project. Toss everything in the box, and don’t worry about misplacing things or ideas.
  50. Keep a different sketchbook for different topics and ideas.
  51. Try and find the pattern between things, and connect the dots between random things just for fun.
  52. Practice, practice, practice.

    Dan Goodwin’s Wakeful Ways at A Big Creative Yes

  53. Let your mind wander and come up with whatever it wants to.
  54. Wake up ten minutes early, then go back to sleep and dream.
  55. Focusing entirely on one sense. Creative stimulation comes through our senses.
  56. Imagine waking up somewhere distant and exotic.
  57. Recall your creative triumphs. It means you can create something equally wonderful, if not more so, again. In fact you can go out and create it today.
  58. Count your blessings. As well as feeling happier, it will inevitably help you be more creative too.
  59. Choose just one creative aim for the day. What one creative project can you begin/continue/finish today?
     

    A few rules from Steve Pavlina

  60. Define a clear purpose. Vague intentions don’t trigger the flow state.
  61. Identify a compelling motive. You need a reason to be creative.
  62. Architect a worthy challenge. If a task is too easy, you don’t need to be particularly creative, so your creative self will simply say, “You can manage this one without me.”
  63. Provide a conducive environment. The optimal environment varies from person to person, so you’ll need to experiment to find what works best for you.
  64. Allocate a committed block of time.
  65. Prevent interruptions and distractions.
  66. Master your tools. Creating a tangible piece of creative work requires tools such as a computer, guitar, or pencil. You must achieve basic competency.

    Old Fashioned Advice from Mirko of Designer Daily

  67. Clean up your working space. Even if you are not a cleaning addict, a tidy desk helps to create a fresh start.
  68. Go jogging. Running is a great way to refresh your brain. The effort will also bring satisfaction. Self-esteem is good for creativity.
  69. Drink a beer with your buddies. Being happy will make you more productive. It will also give you greater enthusiasm.

    Creative encouragement from Jacob Cass at Just Creative Design

  70. Mindmap. Whether you use key words, images, colours, a hierarchy system, numbers, outlines, circles or random words, mindmapping gets your creative juices flowing.
  71. Finding inspiration in what other people have done and what has succeeded (or failed) is a great way to get your feet off the ground again.
  72. Take a moment to do something that makes you happy; that brings you joy; that you love; that centers you.
  73. Give gratitude. Thinking about all the things you are grateful for produces a positive energy flow and vibration.
  74. Be in the moment. Athletes call this ‘being in the zone‘. Give full attention to whatever you are doing: eating, washing dishes, making your bed.
  75. Flip through a book containing thought provoking images.
  76. Go to an art gallery.
  77. Practice asking yourself how to do something differently.
  78. Be Open. Never shut down or judge any idea that comes your way.
  79. Think on Paper. With a bunch of loose paper, start jotting ideas down.

    Artistic techniques from Karen Daniels at Write to Done

  80. Get some crayons and warm-up your creativity. Get a piece of paper and draw a totally useless picture of nothing at all.
  81. When you feel done, use a crayon to proudly sign the picture. Now, put your picture in a special frame and hang it on the wall.
  82. Name the colors in a box of crayons. Name them with abandon, using words like squashed-pea-green, severed-arm-blood-red, or dancing-fairy-silver.
  83. Next time your writing gets stuck, pull out your crayons and look at the colors. Remember the names. Write a few silly sentences. Then keep going.

    Inspiration from Jennifer Moline on Fuel Your Creativity

  84. Take it outdoors. The best inspiration is often free. Go for a hike. Take your laptop to a park. Look all around you. Soak up your surroundings.
  85. Head to a café. There’s a reason home-office folks don’t always work from home; they crave other humans. A change in surroundings can recharge your brain.
  86. Get some training. Not only could you learn something new, but it’s also an excellent opportunity to network.
  87. Volunteer. Getting your hands dirty for a good cause can be the source of more inspiration than you’d ever imagine.

    Guidance from Alison Motluk on New Scientist

  88. Embrace your inner grouch. Discontent may just be a vast, untapped source of creativity.
  89. Let your mind wander. A wandering mind may allow your brain to search more widely for connections that could trigger a “eureka” moment.
  90. Play an instrument. It may help you to think with both sides of your brain at once.
  91. Colour your world blue. It may be nothing more than an association with big skies and the open seas, but beholding the colour blue makes you more creative.
  92. Seek out creative company. The best ideas are forged not in moments of solitary genius, but during exchanges with trusted colleagues.
  93. Be more playful. Horsing around may be better in the long run than hunkering down.
  94. Raise a glass. Many of the most creative pursuits – jazz, for instance, and poetry – are associated with heavy boozing, but can a dram or two really help?

    The dirt from Joel Reyes on Design Revive

  95. Aim at being unique, not ordinary. Go right past the dull.
  96. Cataloging your ideas is productive because it allows you to go back and take a second gander while viewing your ideas on much larger scale.
  97. Use visual structuring. Getting your paper and pencil out not only lets you see your ideas on a physical level, but it will make you feel like a kid again.
  98. If all else fails, keep working. Some individuals work better as they reach their breaking point, they excel and take flight in the hardest of times.

    Perfect insights from Diggy on Goodlife Zen

  99. Stop being (other people’s) perfect. The expectation of making something perfect uses up emotional energy that you could put to much better use being creative and artistic.
  100. Ask yourself if you’re doing it for the right reasons. Even if you are not the best in the world at something, if you are really passionate about it, your passion can be an inspiration and motivation for others.

    How-to’s from Mark McGuinness of Lateral Action

  101. Don’t plan. Plans are good for buildings, savings, exercise. But there comes a point when it’s time to face the stage, the page, the canvas or the blank screen.
  102. Let go. You heard me. Let go!
  103. Start fooling around. Splash the paint on. Scribble the words down. Sing.
  104. Notice when you surprise yourself. Keep playing around with that one good riff until you find the next one growing out of it.
  105. Get good amazing feedback. Don’t settle for everyday compliments.
  106. Enjoy not knowing. Isn’t it nice to have one small corner of your life where you don’t know what you’re going to do, or what’s going to happen?

    A little advice from Julia M. Lindsay of Our Little Books

  107. Have clearly defined goals. This will help direct your attention to a purposeful outcome.
  108. Have balance between your skills and challenges. Too easy, you’ll be bored. Too hard, you may feel frustrated.
  109. Avoid multi-tasking. It is impossible to get immersed in an activity if you are not totally focused on it.
  110. Set aside a time to do non-productive tasks. Activities such as reading your e-mail, tweeting and making phone calls should be done at a defined time.
  111. Before you start, clean your desk, make sure you have the equipment you need, adjust the temperature and make sure the noise level is optimal.
  112. Adjust your goals as your skills increase.
  113. Avoid engaging in mindless tasks such as TV. Mindless activities are usually passive and decrease flow experiences.

    One trick from James Chartrand of Men with Pens

  114. Just say screw it. What I do know is that everyone gets jammed sometimes, even the pro writers you look up to. And when that jam happens, it’s important to remember that no one forgets how to write well. It doesn’t disappear. It’ll always be there. And maybe… maybe you just have to say screw it and stop looking for it so hard.

    Unblockers from Brian Clark of Copyblogger

  115. Avoid logical thinking. It’s often the enemy of truly innovative thoughts.
  116. Break the rules. Look at creative thinking as a destructive force. You’re tearing away the often arbitrary rules that others have set for you.
  117. Stop being practical. Practicality stifles innovative ideas before they can properly blossom.
  118. Allow your mind to be at play. You’ve heard the expression “work hard and play hard.” They’re the same thing to a creative thinker.
  119. View yourself as an explorer. In an era of hyper-specialization, it’s those who happily explore completely unrelated areas of life and knowledge who best see that everything is related.
  120. Give yourself permission to turn everything that’s accepted upside down and shake out the illusions.
  121. Give yourself permission to be a fool and see things for what they really are.
  122. Reject the false comfort of clarity. Ambiguity is your friend if you’re looking to innovate.
  123. Free yourself to make mistakes. Just try out your ideas. Ask yourself, what’s the worst that can happen if I’m wrong?
  124. Strip away all of your delusions and acknowledge that you’re inherently creative, and then start tearing down the other barriers you’ve allowed to be created in your mind.

    Motherly advice from Michelle Mitton of Scribbit

  125. Practice thinking. Think about things and formulate some opinions. They may be right, they may be wrong, but I bet they’ll be interesting.
  126. Use life markers for ideas. Old photos, family stories, a journal entry, a souvenir from a trip, a collection you love or a piece of clothing–if you’ve saved it for a reason there is most likely a story there.
  127. Look at your life as if you’re a stranger. Good writing is made up of details so learn to see the details of your own life.
  128. Look at what inspires other people’s creativity and then put your own personal spin on it. But whatever you do make it your own and bring your own life and talents to the task.
  129. Make lists. What are your favorites? Foods, colors, flowers, cars, games, habits? What are your pet peeves, your thrills or your favorite vacation spots? Use lists to spark an idea and run with it.

    Dos and Don’ts from Paul Indigo of Beyond the Obvious

  130. Don’t sit and write lists of ideas. All you’re doing is intellectual foreplay and pussyfooting around the problem. You’re not dealing with it head on.
  131. Don’t give up and sit sulking in the corner. Sooner or later you’re going to have to come out. You’re just prolonging the pain.
  132. Don’t compare your work to other peoples’. Everyone is unique. You have to find your own creative voice.
  133. Don’t choose the company of doubters and negative people. They will just pull you down.
  134. Do pick up your camera (or you pen) and start taking pictures (or writing) of anything and everything. One idea will lead to another.
  135. Do set yourself an achievable target.
  136. Do challenge conventions and the norm. Challenge everything you’ve learnt.
  137. Do think in terms of opposites, conflicts and interesting juxtapositions.
  138. Do realize and remember that all creatives feel the same as you do from time to time and some of the most successful are driven forward by tremendous self doubt. Turn the negative feelings into positive self motivation.
  139. Do surround yourself with people that believe in you and want you to succeed. This kind of support makes a world of difference.

    An abundance of ways from Marelisa Fábrega of Abundance Blog

  140. Stop second-guessing yourself.
  141. Experiment with different media: music, photography, writing or drawing.
  142. Read one page of the dictionary every day and write down any words that catch your attention.
  143. Show up even if you’re not feeling creative.
  144. Immerse yourself in the task at hand: do your research, read everything you can about your subject, attend seminars, ask experts for their input, and so on.
  145. Be curious about everything.
  146. Exercise during your lunch break.
  147. Go to the playground. Play hopscotch, jump rope, climb on the swings, and climb on the jungle gyms.
  148. Awaken your sense of wonder. Take yourself on some small festive adventure.
  149. Think of something routine you do on a daily basis and find a way to give it a little more pizzazz.
  150. Let your body contribute to your creative process by blaring the music and dancing around the room.
  151. Surround yourself with inspirational props, whether it’s books on creativity, images you find inspiring, or creativity quotes.

    Food for thought from Kristen Fischer on Freelance Switch

  152. Set aside a day. By making time to devote one day to your project of choice, you may be able to unblock everything by focusing on just one task.
  153. Alter your atmosphere. Try putting up some new art, rearranging the furniture or clearing out some clutter.
  154. Battle the blabber. Examining the psychology of feeling blocked may help you to unblock, and yes, writing about it can help you to untangle some knots inside and be able to finally, finally create.

    Some juicy tips from Tom Walker on RobsWebTips

  155. Hypnosis. Although some people may be skeptics, hypnosis and other forms of meditation can be perfect for relaxing the mind and body and getting your creative juices to running freely.
  156. Timer challenge. It might be useful to time yourself when you are working using an online timer. This will show you how productive you are being, and often when we are timed, we simply keep going and going.
  157. Identify your creative times. Choose those times when you know you will be the most creative.
  158. Don’t Force It. Stop. Do something else. When you get back you will feel far more refreshed and ready to get started.

    Positive thoughts from Henrik Edberg of The Positivity Blog

  159. Generate a boatload of ideas.
  160. Take a trip outside your personal bubble.
  161. Criticize later, or some part of your mind may feel threatened and shut up and withdraw.
  162. Build it. Like so many things in life creativity is a bit like lifting weights. If you train, over time you’ll build your creative muscles.
  163. Sleep less. When I feel a little groggy and sleepy, the words start flowing out of my fingers when I sit down to write.
     

    Black and white tips from Jody Cleghorn at Write Anything

  164. Arrive late and leave early. Get straight to the heart of the narrative.
  165. Learn to say no/no way/go f*ck yourself because no one else will stand up for your work.
  166. Go out and live your life. Do not allow yourself to become stuck in a hole of your own creativity.
  167. Make up the rules for what you want to produce.
  168. Work on several projects. This keeps you energized and working creatively even when one project isn’t firing.
  169. Try to write every day, even if just for a few minutes.
  170. Write simply and vividly.
  171. Don’t hold back and don’t protect yourself. Say things no one else has said before.
  172. Collaborate with new people.
  173. Cultivate a community of writers. Writing can be a lonely enterprise, but it doesn’t need to be – other writers understand where you are, what you’re thinking and feeling.

    Simple advice from Leo Babauta of Zen Habits

  174. Play.
  175. Don’t consume and create at the same time — separate the processes.
  176. Shut out the outside world.
  177. Reflect on your life and work daily.
  178. Look for inspiration all around you, in the smallest places.
  179. Start small.
  180. Just get it out, no matter how crappy that first draft.
  181. Don’t try for perfect. Just get it out there, asap, and get feedback.
  182. Constantly make it better.
  183. Ignore the naysayers.
  184. But let criticism help you grow.
  185. Teach and you’ll learn.
  186. Shake things up, see things in new ways.
  187. Apply things in other fields to your field, in ways not done before.
  188. Drink ridiculous amounts of coffee.
  189. Write all ideas down immediately.
  190. Read wildly different things. Especially stuff you disagree with.
  191. Get lots of rest. Overwork kills creativity.
  192. Don’t force it. Relax, play, it will start to flow.
  193. Allow your mind to wander. Allow distractions, when you’re looking for inspiration.
  194. Then shut them off when you’re going to create.
  195. Do it when you’re excited.
  196. When you’re not, find something else to be excited about.
  197. Don’t be afraid to be stupid and silly.
  198. Small ideas are good. You don’t need to change the world — just change one thing.
  199. When something is killing your creativity, kill it.
  200. Stop reading creativity advice, clear away everything, and just create.
  201. Most of all, have fun doing it.

Enough said.

Katie Tallo is a Contributing Writer for Write to Done, as well as a  director, motivator, runner, vegetarian and mother who writes a blog called Momentum Gathering where she encourages simple, positive actions for joyful and vibrant life change.

Read Katie Tallo’s ‘bestselling’ post on WTD: Adventures of a Naked Blogger

The A-List Blogger Club has changed my life. When I started blogging, I didn’t know a tweet from a widget. Now I write a successful blog that has gone from zero to over 3000 subscribers in seven months. Mary and Leo have created a community that is a total reflection of who they are — generous, genuine and successful!

The Adventures of a Naked Blogger

A guest post by Katie Tallo of Momentum Gathering.

There I was, completely naked! Exposed in front of my peers. I was being analyzed and made over, scrutinized and questioned.

And … I was loving it!

That’s right, this was no high school auditorium public-speaking nightmare – this was a dream come true. Let me explain by taking you back to the beginning.

My adventure started a little over a month ago – my blogging adventure that is. Up until then, I’d never blogged, never tweeted, never created a widget or activated a plug-in. In fact, I was missing the tech gene, so I shied away from the idea of blogging altogether. But, as those things calling us often do, blogging kept popping back into my mind!

I was a writer, I was learning about life, gathering information, ideas and inspiration. I had momentum. In fact, the word “momentum” was resonating very deeply in me. I was reading all sorts of blogs, following links wherever they took me, and subscribing to the one’s I loved. The problem was, I wasn’t really a part of the dialogue. My teenage daughter told me I was just a stalker.

Then, a fateful day arrived. I followed a link from one of my favourite blogs, Zen Habits, to another blog called Write to Done (yes, this very one!) and stumbled upon yet another link to A-List Blogging Bootcamps. I didn’t know it at the time, but this moment and this link were about to change my life, almost overnight. I was about to go from stalking to streaking.

But I’ll get to the streaking part in a minute.

First, I took a leap. I joined the A-List Blogger Club and dove into Bootcamp 1 “How to Create A Blog that Rocks”, and then dug into Bootcamp 2 “How to Skyrocket Your Subscriber Count”. Since that time, I’ve set up my own blog, met some amazing people in the A-List Blogger Club, been mentored and guided by A-List Blogging stars Leo Babauta and Mary Jaksch, and I’ve been writing, writing, writing. MomentumGathering.com was born! Then, my big break came, or so I thought!

Okay, this is the “getting naked” part of my adventure!

Mary Jaksch of Goodlife Zen asked me to write a guest post for her wonderfully inspiring blog. I was thrilled. This would be my debut, my first guest post! I accepted gleefully! That’s when she revealed the catch. I was to pitch my idea and I was to submit my post, not just to her, but to the entire forum of bloggers in the A-List Blogger Club. She called it the “Anatomy of a Guest Post” and saw it as a great training exercise for everyone. Great? I was going to run around naked in front of my peers. I was going to expose my weaknesses, my inexperience, my ignorance, my writing!

Great?

Yes, it was great! My forum friends were supportive and enthusiastic. They cheered me on and when the post, Ready, Zen, Go! was accepted and published on Mary’s site, I knew that I had just streaked my way into my calling. I felt passionate about what I was writing and, more importantly, why I was writing. None of the nudity required to get there mattered. A tribe had my back.

Leo and Mary have created this tribe out of who they are. And it truly reflects how they choose to live and blog. They are our teachers, leading this tribe, naked into the woods, so we’ll all come out with the necessary survival skills to make a success of our lives and our blogs.

So, I say, when you have a dream, find a tribe, get naked and expose your heart and soul. Take it from this naked blogger. You’ve got nothing to lose or fear, when someone’s got your back.

Katie Tallo is a writer, director, motivator, runner, vegetarian and mother who writes a blog that encourages steady, positive actions for sustaining joyful and vibrant life change, Momentum Gathering.

Is Google Analytics a Creative Writing Tool?

creativity

A guest post by Bill Rice

Do a quick search on Google for writing inspiration, writing ideas, or writer’s block. You find literally millions of articles.

That indicates a problem. And the millions of abandoned blogs littering the Web certainly confirm this fact. No group is likely to be more afflicted by writer’s block or idea anxiety than bloggers. Faced with a reverse chronological, flowing river of content, any pause or break in quality can mean lost readership.

However, we might also have the best tool any writer could hope for to battle the blank page–web analytics.

I Need Fresh, New, Original Ideas

Nothing is more daunting to a blogger than a blank page. Chances are you are like many bloggers, started with a bang. Read more »