Use Your Dreams To Be Endlessly Creative

Do You Want To Use Your Dreams To Be Endlessly Creative?

Do You Want To Use Your Dreams To Be Endlessly Creative?

People often ask me for writing advice, and they’re surprised when the first thing I tell them is to keep a dream journal.

In fact, many people look downright suspicious, perhaps fearing I’ll go on to advise them to use healing crystals, or only to write when Mercury is in the ascendant.

But keeping a dream journal is perfectly sound, if neglected, writing advice.

The best thing is that the process works even if you’re one of those people who never remembers dreams.

I know. Because I used to be one of them, until I trained myself to remember.

The mind is more malleable than we realize.

 

What is a dream journal?

 

A dream journal is just a book that you keep next to your bed, so that you can write in it as soon as you wake up.

And I really do mean as soon as. A dream is a slippery fish. If you delay at all, even just for a minute to brush your teeth or plan your breakfast, it’s gone.

The idea is to write down everything you remember of your dreams.

When I first started, this was almost nothing. Then, it was just a few vague impressions. With more practice I began remembering more and more details.

Now I can cover pages of my book each morning, often reaching back beyond my latest dreams to recall some from earlier in the night.

 

Why bother?

 

There are several reasons why every writer should keep a dream journal.

1. Get fantastic story ideas. If you keep a dream journal, you’ll never be stuck for ideas.

Your mind effortlessly creates stories every night. Most of them will be boring, or unusable, or just plain weird.

But every now and then, your sleeping mind deals you something that makes you reach for your pen with thumping heart.

Paul McCartney famously dreamed the song Yesterday, so clearly and fully that he was sure he must have heard the tune somewhere before. Luckily he wrote it down anyway, and it became one of the most popular pop songs of all time.

2. See the world differently. The best stories or scenes are often those in which familiar things are presented in a fresh way.

What better training for the imagination than dreams? In dreams, you may find yourself in a mundane situation at work, but your boss is an old school friend you haven’t seen for thirty years.

Or you’ll be making breakfast in your apartment, but the apartment is now inside your parents’ house.

I had a dream recently in which Paris was not in France, but in the United States. I still think there’s a great story in there, if I can work out how to tell it.

3. Get inspired. If you’ve been writing for a while, you’ve probably had that incredible experience where the words come to you so easily that you feel you could write all day.

You write things that shock you, things that seem to come from somewhere else. You’re in a state of inspiration, wonderful while it lasts, but depressing when it stops and you realize you can’t recapture it.

In the past, people attributed this to God. ‘Inspiration’ comes from the Latin inspirare meaning ‘to breathe into’.

People believed that God breathed into them, creating works of genius that they merely had to put on paper.

If you don’t believe in God, then believe in science instead. Sigmund Freud gave us the id, and Jung took it a step further, positing the existence of a collective unconscious.

Dreams provide a natural access point to these subliminal realms, enabling us to tap into a source of endless inspiration.

4. Break writer’s block. Finally, if you keep a dream journal, it means that the first thing you do each morning is to write – with no pressure, straight from the subconscious.

It’s very difficult to have writer’s block when you write a couple of hundred words first thing every morning. It sets you up for the day much better than filling your head with traffic reports, weather forecasts or the jingle-jangle of pop songs.

 

Try it!

 

So go ahead, give it a try. All you need is pen and paper, and a few minutes each morning.

Don’t judge or analyze your dreams. Just write them down.

You probably won’t get gold-dust right away. Your notebook will probably fill up with the mundane, the nonsensical and the embarrassing.

But over time, you’ll start to see the benefits. Your writing will become more creative, and ideas will come to you easily rather than having to be dug out at great cost.

And who knows, maybe one night you’ll dream the next Yesterday and be able to fund your writing for the rest of your life.

“Have you ever tried keeping a dream journal? Or have you had good story ideas in your dreams? Leave a comment and let me know!”

 

About the author:

Andrew Blackman is a former Wall Street Journal staff writer, now living in London and concentrating on fiction. His second novel, A Virtual Love, tackles the theme of identity in the age of social media.Visit his blog for a free e-book detailing short story contests with a total of $250,000 in prizes
Image: Keep a dream journal courtesy of Bigstockphoto.com

Scared of Publishing? 2 Proven Ways To Write With Confidence

How To Write With Confidence

How to get over the fear of being read

Ever feel afraid to put your writing out there?

I’ve talked to writers who can’t muster the courage to press ‘send’ on posts to their own blog. The idea of sending out an article to a magazine or publishing an ebook makes their knees quake.

Recently, I got into an interesting conversation about overcoming writer fears and writing with confidence. It shed new light on what’s really going on inside us when we feel scared to write.

You might think you’re feeling afraid, but it might really be something a bit different. Once you become aware of what is bothering you, that knowledge could give you the courage to move forward and write with confidence.

This insight came in talking with women’s business coach Tara Sophia Mohr. Tara pointed out that there’s more than one kind of fear.

In Hebrew, they even give it two words.

 

Fear: What’s really going on?

Pachad in Hebrew is the word for fear. Terror. The kind of gut-clenching anxiety that freezes you in your tracks. This is danger; fight-or-flight fear.

This is the primal fear we have that a large animal is about to eat us or an earthquake is about to bury us.

Sometimes, we experience this sort of fear when we write, even though we’re not really in any physical danger. But we feel the same visceral dread.

If you’re feeling this pachad kind of dread, recognize that this is a vestigial fear you have from our caveman days.

Such fear is inappropriate to the act of writing. Typically, your life is not at risk when you publish your writing.

With this kind of fear, try to gain perspective. Even if you mess up with your writing, in all likelihood you will survive.

Or, as I used to say when I had stage fright right before I went onstage as a singer/songwriter: No matter what happens tonight, a billion people could care less.

You’re not a caveman trying to outrun a lion. It’s just words on a page (or pixels on a screen).

So relax. Pick up your pen and go for it.

 

The other feeling you mistake for fear

There’s another feeling that’s close to fear, but different. In Hebrew, it’s yirah. This is more like fear-struck awe.

It’s what we feel when we suddenly inhabit a space larger than we’re used to, Mohr says. It’s the feeling we get as we stand at the edge of the Grand Canyon. Amazement and an expansion of our sense of possibility…with a little fear mixed in.

This may be what you’re feeling when you hold back from pressing that “send” button.

You’ve caught a glimmer of the astonishing potential your writing has – to change both your life and the lives of others.

And that can freak you out, and stop you dead.

Think of how a best-selling novel or smash-hit blog can completely transform the life of its author. They might skyrocket from poverty to incredible wealth.

Writing can end a war, or start one. The pen – or computer keyboard – can be a mighty weapon.

As you write, you may feel the incredible power you have at your fingertips. The power to change everything.

If you dread change, this can be a problem.

Maybe you find new experiences overwhelming. I’ve met almost as many writers who fear success as I have those who fear failure.

But the drive you have to write is calling you to tell the world what you must. So find a way to start on your journey. Start small, if you need to.

Keep that sense of wonder and awe. It will serve you well in respecting your readers.

But don’t let it stop you. Begin to tell your story. Write and rewrite with confidence. Send it out there. See what happens.

 

Name your fear

If you’re holding back in your writing, try to get in touch with your feelings. Identify precisely what sort of fear you are experiencing.

Is it a primal fear that’s inappropriate here? Acknowledge it – then, dismiss it. Laugh about it, if you can.

Or do you stand in awe of the power you hold? If so, take a moment to marvel at your limitless potential.

Then, begin your journey. There’s nothing else for writers to do.

Step over the edge of that canyon and fly.

What’s preventing you from writing with confidence? Leave a comment and tell us about it.

 

About the author:

Carol Tice writes the Make a Living Writing blog, one of this year’s Top 10 Blogs for Writers winners. Subscribers receive the free 21-week e-course, Marketing 101 for Freelance Writers.

 

How To Be Creative When Your Brain Doesn’t Want To Play

Be Creative

Do You Know How to Be Creative?

See if this scene sounds familiar…

It’s time to write. You’re at your computer with your favorite beverage half an arm’s length away. The lighting is just right – and you have the climate control set exactly the way you like it.

Conditions are perfect.

You put your fingers on the keys and…

and…

Nothing.

At least, nothing exciting or original. You’re stymied. Out of gas – with no filling station in sight.

This kind of block can manifest itself in different but equally annoying forms.

You might have a few ideas, but even by your own judgment, they seem boring as melba-toast. Sometimes you might have too many ideas that don’t connect in any meaningful way. And other times, you have no ideas at all.

If you haven’t experienced this – then you probably don’t write enough.

 

But It’s Fun And Easy To Be Creative, Right?

The rest of the world likes to think of us “creative types” as fun-loving, free-living quirky folk who flit around without a care in the world. They have this idea that it’s easy (or at least, not hard) to be creative.

You and I know damn well that isn’t true. Being a “creative badass” is hard, and creating something significant is even harder.

Eventually there comes a time for all of us who write, when our brain decides it’s time for some R&R. Our brain checks out. It doesn’t want to play.

I’m not talking about just writer’s block here. I’m also talking about the pressure, self-imposed or not, to be creative day in and day out.

Whether you’re having difficulty getting the creative process started, or your mind is clogged with far too many overlapping thoughts and partial ideas from who-knows-where, the pressure to consistently create quality work is stressful. And stress just makes the situation worse.

So when you face these stumbling blocks, what do you do? Fortunately, there are some fairly easy fixes for creative droughts like this.

 

Diligently Collect Information

Start collecting interesting ideas from articles, books, blog posts you’ve read, funny things that come up during the day, and anything that catches your eye or makes you go “hmmm”.

Jot down notes whenever an interesting idea strikes you, clip articles and tape them into your notebooks, become an Evernote junkie. Save information, write down whole paragraphs, sentence fragments, titles, slogans – anything that strikes you as interesting.

It’s much easier to be creative when you’re surrounded by interesting ideas.

 

Go Old School With Some Pen And Paper

Remember pens?

pen  -  noun
1. An ink-dispensing manual writing tool from the past.

Those were the days! I used to grab me a pen and some paper. Then hop on my horse and ride him to town. I’d visit the old general store or maybe the saloon and make a day of it.

Seriously, though – while I am as dependent on technology as the next person, I find that old fashioned pen and paper are best for note taking, planning, sketching, and thinking. It’s a more active, tactile experience that has a totally different feel to it than typing.

There is something about being able to hold those pages in your hand, set them next to each other, tape them together, draw arrows from one to the other, or manipulate them physically that gets the creative juices flowing.

Sure, I curate mountains of information on my computer, and I have a ridiculous number of PDF files saved just like everyone else does. The thing is: it’s hard to look at several of them at once or compare them side by side. Good old fashioned paper in combination with all your cool digital tools can help you be creative from a whole new angle.

 

Maximize The Power of The Intersection

Real creativity comes from intersections. Intersections of ideas, of cultures and of disciplines. We all have a pretty finite scope of experience. Just by the fact of being who we are, we develop a kind of tunnel vision.

Electricians think about watts and volts most of the day – so their mental world is heavily influenced by that type of thinking. Writers think about (among other things) words, structure and how to communicate ideas. So our world is influenced by that kind of thinking.

To be creative, you need to start looking at where your world collides with other worlds.

And how do you do that? I’m glad you asked!

 

Go Play In Someone Else’s Sandbox

Let’s say you’re an architect working on a project. While most of your research and preparation for the project would be architectural in nature, I would advise you not to discount other seemingly unrelated areas. Go read about water polo or gaming. Grab a book or magazine on a topic you wouldn’t normally read. Genius often happens when two unrelated areas collide.

The following story is a great example of how to be creative and generate great ideas from unrelated places:

In Zimbabwe, an architect designed a mid-rise shopping complex that stays cool without an air conditioning system. Think it’s hot in Zimbabwe? Yeah!

So how did he do it? Well, he didn’t do it with traditional architectural information. Not even close.

Architect Mick Pearce came across information on how the local termites in Zimbabwe used air currents to cool their termite mounds in their warm natural environment. The end result is a very big building in a hot climate that stays cool without traditional air conditioning.

I’m guessing that the study of termites in Zimbabwe probably wasn’t part of Mick’s college architectural curriculum. It’s probably also a safe bet that he likely would not have come up with this solution if he hadn’t been looking in what most people would consider strange places. In this case, entomology.

If you want to do some Googling, you’ll find that vaccinations and the theory of evolution were also inspired by “out of field” events. They were born of the collision of two or more disciplines – or intersections.

Look in weird places. Collect random information… and then look for intersections.

 

Try Mega-Brainstorming

A great way to be more creative and generate some brilliant ideas is to do some mega-brainstorming.

Just get out a pen and paper or open up your laptop and generate as many ideas or thoughts on one given topic as you can – before you stop to evaluate any of them. Write every single idea down without thinking – even if they’re totally bizarre.

The important thing when doing this exercise is that you postpone judgment of your new ideas because if you judge it too soon, your brain will compare it only to what is already known within your established area of expertise.

“The best way to get a good idea is to have a lot of ideas.” – Linus Pauling, Nobel laureate in chemistry and peace

Let Your Brain Do Its ‘Thang’

Learn to trust that your brain can spot the significant.

If something – anything – jumps out at you and makes you notice it, then it likely resonates with you on some level. It has some importance to some remote corner of your brain. That’s why you noticed it.

You may not know why it’s important just yet, but it will cross-reference with something for you in the future and possibly give you your next big idea. This is why if you want to be creative, it is vital to record your thoughts and ideas. You need to let your neurons make the connections for you… it’s their job.

We’ve all read how powerful the subconscious mind is and how we only use a fraction of our brain at any given moment. There’s a lot going on up there that you don’t consciously or fully understand. Let it percolate!

 

Review Your Old Notes Regularly

Over time, you will collect huge volumes of information. Make sure you review all your saved notes – not just the recent ones – on a regular basis.

Remember: if you made the effort to write it down or save it, it must have had some value to you. Going back over old notes and comparing them to newer notes will often result in an explosion of ideas from those interesting intersections I’ve been telling you about.

 

Make The Obvious Connections First

As you gather more information, you will naturally and immediately make the obvious connections. For instance, after clipping articles and writing notes for a few weeks, you might connect different pieces of information on, say time management – and a fresh, new angle for your writing will come to you.

The more information you collect, the more obvious connections you will make – generating a greater number of  ideas.

 

Be Ready To Receive When The Weird Connections Come

If you’ve been collecting information from unusual places (remember our Entomologist-Architect?), go back over your notes and see if you can discover an overlap between your area of expertise and the new, unusual areas.

Hunt for intersections in the random and unrelated. It is in this intersection between the usual and the random that some of the best ideas are born. These ideas may seem weird or different at first, but don’t dismiss them. Instead, be ready to receive them when they come.

 

Phone A Friend

This is where having good relationships comes in. Having a trusted friend or colleague I can bounce ideas off almost always does the trick for me. You know the old saying that it’s hard to tell the forest for the trees? Well, it’s an old saying for a reason: it’s true.

When we’re immersed in our own work, we primarily see all the minutiae and details that we have to deal with. It’s easy to lose the big picture. Having someone look at our work from the outside can clear up our perception of the situation and help us let go of some of those details that are bogging us down.

 

Let It Incubate

When you have been stewing over a project and everything looks like a big gnarly knot to you, often the best thing you can do is to shut down, log off and let it incubate.

Go do something totally unrelated and come back to it later. Maybe later that day, maybe later that week. Just get away from it for a while. Ideas have a way of incubating in our brains when we stop actively obsessing over them.

The concept of an incubation period is well-documented in a fantastic book called The Medici Effect by Frans Johansson.

According to Johansson, the incubation period is the time between when one stops thinking heavily on a subject and the time when one suddenly and subconsciously comes up with a solution. It’s one of my favorite books, and a great read on the subject of creativity.

Sometimes when you want something to grow, you have to leave it alone for a while. You can’t make flowers grow faster by watering them 24 hours a day and screaming, “Grow, damn you!” at them. But that’s exactly what we often do with our creative projects, isn’t it?

Try stepping away from your project if you’re feeling blocked. Go do something fun, spend some time with friends and family or get some exercise. When you return to your project, you’ll find that you can see it from a whole new perspective.

 

Whenever Possible, Avoid Creative Deadlines

Creative deadlines make it difficult, if not impossible, to be creative. I understand that this sounds wrong, but it’s absolutely accurate.

You’re probably thinking, “But I perform better in the 11th hour!”

No, you don’t. The Ivy League says so.

A Harvard Business School study by creativity researcher Teresa Amabile followed 177 employees in 22 different project teams for up to six months. And what she found might shock you.

Not only are people less creative under intense time pressure, but people believe that they are more creative during those times. One more time…

People under intense time pressure are less creative but incorrectly think they are more creative under pressure. There’s more – creativity didn’t just drop on the specific day of the time pressure. It dropped that day, and for three consecutive days thereafter.

The moral? Avoid creative deadlines when you can – and when you can’t, start early to avoid intense time pressure.

 

Go Implement Your New Knowledge

Hopefully you’ve got a few new ideas from this post – or a new angle on an old idea. Reading is well and good – but for positive change to occur, you have to implement.

Some of these tips are mere perspective shifts that you can put into play right now. Others are habits that you’ll have to make an effort to form over time. I can tell you that I personally employ each and every one of these techniques. And when I’m stuck, one of them always comes through for me.

At the risk of being redundant: Read The Medici Effect. Some of the concepts in this post (and many more brilliant concepts) are discussed in much greater detail in the book.

So what about you?

What helps you be consistently creative?
How do you get over your creative block?

Let’s talk about it in the comments section!

About the author:
Gary Korisko (@RebootAuthentic) writes about real world business strategy brought online, market creation and integrity selling on his blog Reboot Authentic. His FREE eBook, How To Alienate All The Right People, is a real-world guide to breaking away from the herd and doing something special.

Image: Be Creative – Always courtesy of Bigstockphoto.com

Could You Write the Next ‘Fifty Shades of Grey’?

fifty shades of grey

Could you write a raunchy novel?

It’s titillating, it’s full of taboo subjects, and it doesn’t even come with brown paper wrapping.

I’m not referring to the latest issue of Penthouse – I’m talking about Fifty Shades of Grey.

The Fifty Shades trilogy has certainly shifted our perceptions of housewives – rather than fitting neatly inside the June Cleaver mold, today’s women are confidently talking about a book filled with S&M. What’s more shocking than this shift is the fact that many didn’t see it coming. Many were instead asking, “Why didn’t I think of that?”

Creating a Product for People Who Don’t Think They’d Want It

In a society full of polar opposites – the U.S., for example, is home to both conservative Christians and liberals fighting for gay marriage reform – it wasn’t expected that a series on erotica would find such mainstream appeal. Fifty Shades of Grey is credited with boosting Barnes & Noble’s sales, setting new records in Britain, and launching lines of everything from sex toys to cookbooks.

Oscar Wilde said, “There is no such thing as a moral or immoral book; books are well-written or badly written.” This is the distinction many publishers and reviewers failed to make. People have always been interested in things considered inappropriate for polite society. The presentation is what piques consumers’ interest. It’s debatable whether the book sold because of its eloquent writing, but immoral it is not. E.L. James has simply made talk of hardcore sex a little more acceptable in common conversation; a frowned-upon act has become a little less dirty.

B. Cameron Lee, a writer of horror fiction, admits, “People may be scandalized, or pretend it, but still, they have interest. If you want to write something that really sells, you wrap it in ‘mummy’ porn.” Even if people were embarrassed about reading it, they did it anyway – or at least did so behind the cover of a magazine.

Easing Yourself in

It’s easy to understand that people will gobble up dirty subjects; it’s another thing to write about such subjects. If you venture down this path, you’ll undoubtedly find yourself confronting some of your own discomforts. Are you comfortable writing a play-by-play of oral sex in a bathtub? Here are some simple ways to ease yourself into the process so you can write what you know:

    • Use humor: Everyone laughs about sex. It’s a topic we find funny at 13, and it still amuses us at 50. “Humor allows you to relax with the subject,” says Dr. Jacobo Schifter, who’s written more than 20 books on sexuality. The more relaxed you are, the more honest and relatable your writing will be.
    • Make it easy-to-read: Academic jargon, although comfortable to fall back on, turns readers off. Including facts is important, but make them relevant. Don’t insert data that pulls away from your story – tell your story. The author of Fifty Shades doesn’t use flowery language, but writes in the simplest of terms: “Grey gives me a wicked grin, the effects of which I feel all the way down there,” Ana says when she and Christian discuss having sex for the first time.
    • Become the character: Slide in and become the character, as Lee does. What would you do if you were Ana, experiencing her first sexual encounter with someone more experienced than she was, 15 times over? Arrange the story to fit your morals, experiences, or imagination.
    • The point is not that you need to be comfortable with a topic, but to become comfortable with the concept of research. Many readers don’t know what it feels like to be whipped by a flogger, and in order to describe that successfully, we imagine that James had to do some “research”. Don’t let yourself be stiff with the subject – no pun intended – or your audience will have a hard time relating.

Writing to Your Audience

Half the writing journey is about what you have to share – but the other half is about the people who will read your work. How do you find a Fifty Shades of Grey-caliber audience? How do you talk to them? What would they like to read about? In this case, it’s something they don’t know much about or have little experience with: dominatrix-oriented sex.

Try to speak to them as individuals. While this is always a good idea, it’s particularly vital when touching on taboo subjects. “Write as if you are having a conversation,” says Diane Carter, a digital publisher and marketer. “Make a connection, one person at a time. In reality, you are connecting one-on-one; everyone who reads your book reads it differently.” Ana is a shy, inexperienced and caring character, making it easy for readers to relate to – and connect with – her.

You don’t have to dilute your message to appeal to a large group. What makes work appealing is its ability to confront what we find awkward, cringe-inducing, sexy or exciting. You can unload your deepest thoughts on dirty talk – if you’re thinking it, someone else is too.

Selling Yourself

One thing that set Fifty Shades of Grey apart was its willingness to find an audience. To accomplish the same goal, you need to think of yourself as an entrepreneur, not just a writer.

Research your competition via Amazon or Barnes & Noble, as Carter advises: What other books have Fifty Shades’ readers purchased? What did reviewers like – or dislike – about the series? Who are similar authors? Assessing the marketplace will help you develop a niche in both writing and marketing.

You also need to have some minimal marketing tools:

  • A blog or website, particularly one with a specialty URL
  • A Facebook fan page
  • A Twitter account
  • A LinkedIn account

These tools will help you connect with existing readers, garner new ones, and inspire conversations. (You’d be surprised how vocal people will be when they can talk about taboo subjects behind a computer screen.)

It’s not hard to establish a Fifty Shades of Grey-worthy reputation; it’s harder to get out of your own way and really delve into the topic so what you say has resonance. Break down your own barriers, reach out to your audience, and start thinking of yourself as an entrepreneur. You may not sell as many copies of your book, but you’ll likely develop just as loyal a following.

What are your thought about this? Please share in the comments

About the author:
Nicolas Gremion is the CEO of Paradise Publishers, Inc., and founder of Foboko.com, a social publishing network where members get support writing their books from peers and connect directly with readers.
Image: Woman courtesy of Bigstock.com

Overcome Procrastination: Steven Pressfield’s Top 12 Tips

how overcome procrastination

Do you know how to overcome procrastination?

How many times do you make a promise to do a certain task and then do – nothing?

How often do you set a goal but never seem to make any progress towards achieving it?

You wish you could sit down and start working on your novel - the one you have been meaning to write for the longest time.

You want to stop watching so much TV, and start tweaking your next business idea. Perhaps start your painting your masterpiece today. Not tomorrow.

“Are you a writer who doesn’t write, a painter who doesn’t paint or an entrepreneur who never starts a venture? Then you know what resistance is.”

Steven Pressfield identifies resistance to be the main culprit.

Resistance is the most toxic force on the planet. It arises from within and takes the shape of procrastination, lack of motivation, insecurities, self doubt, fear and what not.

Resistance stops you from taking the first step in becoming truly professional.

Recently, I read three books by best selling author Steven Pressfield: The War of Art, Turning Pro, and his manifesto, Do the Work. These books literally changed the way I approached work, relationships, life. But mostly, my vocation.

“Turning pro is free, but it is not easy. You don’t need to take a course or buy a product. All you have to do is change your mind.” Steven Pressfield.

In a life changing moment – I turned pro. And I want to help you do that, with a little help from the man himself.

#1 Show up every day

“This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication. She approves. We have earned favor in her sight. When we sit down and work, we become like a magnetized rod that attracts iron filings. Ideas come. Insights accrete.”

The first thing you need to do is start showing up. If you are a writer, aim to sit in your chair first.

All things start with a first step. Your job as a writer is to sit down.

#2 Stay on the job

“The most important thing about art is to work. Nothing else matters except sitting down every day and trying.”

Once you are already there, what are you going to do now?

Are you going to check your email for the umpteenth time, or hang out on the social media? Or are you going to do some research?

Get rid of the distractions and stay put. Keep going.

#3 Commit to the long haul

“A child has no trouble believing the unbelievable, nor does the genius nor the madman. It’s only you and I, with our big brains and our tiny hearts, who doubt and over-think and hesitate.”

Nobody said this is going to be easy. Nobody promised you riches the next day.

If you have a calling, you have to acknowledge that and stay in the game. It is probably going to be a long, hard one.

#4 Be patient

“Our role on tough-nut days is to maintain our composure and keep chipping away. We’re pros. We’re not amateurs. We have patience. We can handle adversity. Tomorrow the defense will give us more, and tomorrow we’ll take it.”

Committed for the long haul? Now you need patience. Bucket loads of.

#5 Seek order

“The difference between an amateur and a professional is in their habits. An amateur has amateur habits. A professional has professional habits. We can never free ourselves from habit. But we can replace bad habits with good ones. We can trade in the habits of the amateur and the addict for the practice of the professional and the committed artist or entrepreneur.”

Do you have a schedule that you follow? Do you have a routine in place?

The best way to defeat habits of procrastination and the inability to start anything is to streamline everything. Take the guesswork out. Know what it is that needs to be done and dive into it.

Don’t think.

#6 Act in the face of fear

“Are you paralyzed with fear? That’s a good sign. Fear is good. Like self-doubt, fear is an indicator. Fear tells us what we have to do. Remember one rule of thumb: the more scared we are of a work or calling, the more sure we can be that we have to do it.”

Fear is good. Remember the lessons you teach your own children – brave is someone who is not without fear but who moves ahead in spite of it. Now follow the advice yourself.

Yes, you are afraid. So am I, but we still have to work, okay?

#7 Accept no excuses

“In his heart, the amateur knows he’s hiding. He knows he was meant for better things. If the amateur had empathy for himself, he could look in the mirror and not hate what he sees. Achieving this compassion is the first powerful step towards moving from being an amateur to being a pro.”

So we have dealt with fear. What other excuses could derail us? There are plenty:

You are not good enough, you don’t have the time to do this, there is too much competition, nobody cares what you do, it is not perfect … blah blah blah. This is your resistance talking. Don’t pay any attention.

#8 Be prepared

“Practise before you need it so that when you do, you will have it.”

Know that you can only work for 40 minutes before you have to take a break. Realize that you can only work a certain number of hours. Understand that you need your materials and information before you can begin.

Be prepared. Begin with the right mindset. Be in control.

#9 Don’t over-identify with the job

The pro loves her work. She is invested in it wholeheartedly but she does not forget that the work is not her – her artistic self contains many works. Already the next one is percolating inside her. The next will be better. And the one after, better still.”

You are a professional, but that’s not only who you are. You are other things, you have other roles to play.

As far as work is concerned, the nature of it will vary. Try and take a step back. Leave some wiggle room to improve, discard or alter your offering.

#10 Ask for help

“A pro doesn’t feel like he knows everything, or can figure out everything on his own. He seeks out a knowledgeable teacher and listens with both ears.”

This one is easy, if you let it be.

Surround yourself with people who support you. Get rid of all naysayers. And when things get hard, ask for help.

#11 Don’t take failure or success personally

“The professional has learned that success, like happiness, comes as a by-product of work. The professional concentrates on the work and allows rewards to come or not come, as they like.”

As a professional, you show up every day and you do your thing. You will encounter successes and failures, but they are probably not under your control. Not all the time, anyway.

Sometimes it’s an incredible stroke of luck, sometimes it doesn’t look like an even playing field. Don’t get hung up on it. Continue.

#12 Do self-validate

“The amateur craves third-party validation. The amateur is tyrannized by his imagined conception of what is expected of him. He is impressed by what he believes he ought to think, how he ought to look, what he ought to do, and who he ought to be.”

Don’t be so hard on yourself. Come on!

You are human. You are not perfect, but you don’t have to be what others think you should be. You don’t need everybody’s approval.

But you do need your own.

That’s it. That’s what I walked away with, from Steven Pressfield’s books. Inspired? Get your own copies. Write your own manifesto. And look resistance in the eye and march on anyway.

What are your thoughts about resistance?

About the author:

Marya Jan is a blogging coach and an online copywriter. She can be found at Writing Happiness. Check it out and grab the free ebook 9 New Rules of Blogging.

Image Procrastination courtesy of BigStockPhoto