What Bad Movies Teach us About Good Writing

A guest post by Jennifer Brown Banks of Pen and Prosper

Have you ever shelled out good money for the show and then felt cheated when the movie was over?

Maybe it was a low budget flick that you held high expectations, or a box-office favorite with high ratings that was low on entertainment value.

Most of us have.

Being a frugal freelancer, I was determined, after having this happen too often as a “sequel”, to gain something redeeming for lost time and money.

When I did a rewind and reflected, I discovered that there was much that bad movies can teach us about good writing, if we are attentive.

Here’s what I discovered.

1. Good writing starts with an awareness of your audience’s needs and expectations. Whether you’re penning a blog post, a play, or an article for an online publication, it’s crucial to consider the motivation of audience members. Are they on board to be entertained? Enlightened? Empowered? Does your content deliver on your title’s promise? Assess then respond accordingly.

2. Insulting your audience’s intelligence is a dumb thing to do. One of the biggest critics of movies, plays, and books happens to be other writers. We can’t help but dissect dialogue, rewrite scenes, and see the oversights that others miss.

For example, even in a fictional piece of work, the scenarios and actions of characters have to be credible. If a play has a setting that takes place in the 1940’s, having the main character use a cell phone to call in an accident would be ridiculous, because they obviously weren’t being used back then.

Get my point?

In my opinion, writers of horror movies tend to be the biggest culprits here. Many will write scenes that are more comical than scary, often times leaving viewers shouting at the TV screen.

Put yourself in your readers’ shoes.

Try to fill in any missing gaps in information. Seek to answer questions that might be potentially posed. Make sure that two plus two equals four. Keeping in mind that articles and blog posts are not supposed to have cliffhangers.

3. Pacing is important to the overall experience. Think of it like a good kiss. If it’s too fast, it won’t engage. If it’s too long, it loses momentum. Good writing starts with an opening that’s brief and straight to the point, and ends with a satisfying closure that feels finished, yet leaves audiences wanting for more.

4. Good writing evokes emotions. Whether it’s the passion that’s felt from Barrett-Brownings, “How do I love thee?” or the giggle we get when we read Dr.Seuss in Green Eggs and Ham. Good writing connects and inspires a response.

5. Good writing, (regardless of genre) has timeless appeal. Consider the works of Shakespeare, Mark Twain, Harper Lee, or even Melville. When writing is quality, old stories still draw new audiences.

To illustrate my point, I’d like to offer a movie made decades ago that continues to excite audiences, young and old. Remember Saturday Night Fever, with John Travolta? I believe it was made back in the ’70s. Last month, a local network aired a rerun, and I was stuck like Velcro, even though I’ve seen it a dozen times.

Why?
Of course the fact that Travolta was the ultimate in eye candy, didn’t hurt. But on an artistic level, I really appreciated the “craftsmanship” that went into this movie.

The attention to detail was great. This movie combined drama, humor, suspense, family dynamics, friendship, conflict, uncertainty, loss, religion, and all the messy elements of life. The script made sense, the characters’ lines were convincing and well-suited, and even the sound track (by the Bee Gees) was amazing!

Another more recent example of a well-written movie is “It’s Complicated” with Meryl Streep and Alec Baldwin. Warning, this is not a P-G movie, folks!

The moral of the story here? Don’t cheat your audience. Give them value for their time.

As writers, if we neglect to observe these outlined practices and principles, we run the risk of losing our fan base. And at the end of the day, good writing really makes good business sense.

So next time you’re at the keyboard composing, use this as a checklist for the “write results”. Doing so will insure that your work will be worth the price of admission.

Jennifer Brown Banks is a WTD Top 10 Blogs for Writers Contest finalist for 2011. Jennifer is a veteran freelance writer, pro blogger, and relationship columnist, and helps writers and businesses turn their passion into pay at her blog Pen and Prosper.
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Top 10 Blogs for Writers 2011/2012- The Winners

When we asked you to nominate your favorite blog for writers, we got over 2,100 comments and nominations! This year’s sixth annual competition was simply awesome. Great to see how passionate readers are about their favorite writing blog!

We ended up with 20 finalists.

Check out here how the finalists and winner were determined.

It was great to see some new faces in the group of finalists. Yes, writing blogs are alive and well! We look forward to seeing how each of the finalists and winners develop their blog in the coming year.

And the winners are …

Jeff Goins Writer
The Write Practice
Jane Friedman
Creative Penn
Bookshelf Muse
Romance University
Courage2 Create
Terrible minds
Artist’s Road
Word Play

Congratulations to all the winners. Well done!

Readers, be sure to check out these awesome blogs!

And please help spread the word! Please click the retweet button to share this post with friends and fans.

The badge of distinction: If you are a winner, please post the image you see here on your blog. Please link the badge back to this page.

We’ll be inviting the winners and also many of the finalists to guest post on WTD so that all our readers can get to know and enjoy these top writing bloggers.

Mary Jaksch & Leo Babauta

Registrations for our spectacular training environment for bloggers, the A-List Blogger Club, have re-opened. Join the winning team and create a brilliant blog. Click below to find out more:

Top 10 Blogs for Writers Contest 2011/12: The Finalists

Who are the finalists?

Three weeks ago we asked you to nominate your favorite blog for writers. We got over 2,100 comments and nominations! Thanks to everyone who put in a nomination.

Here are the 20 finalists in alphabetical order

Artist’s Road
Bookshelf Muse
Courage2 Create
Creative Penn
Ghost Writer Dad
Jane Friedman
Jeff Goins Writer
Men with Pens
The Other Side
Pen & Prosper
Renegade Writer
Romance University
Story Fix
Terrible minds
Victoria Mixon
Word Play
Write Practice
Writer’s Inner Journey
Writing Happiness
YoungPrePro

How were the finalists selected?

  1. Initial qualification: A site must have been nominated more than once by multiple individuals. If someone nominated more than one blog, only the first nomination was counted. Valid nominations needed to include the URL and give a reason why the nominated blog should be considered.
  2. Contest criteria: In order to be considered, a blog needed to be a writing blog. In order to qualify, at least 5 out of the 10 posts written prior 22 November 2011 (when the call for nominations went out) needed to be about writing and not not about freelancing, business, publishing, etc.
  3. Blog-based analysis: Factors taken into account  included: Frequency of posts: the blogging frequency accounted for 15% of the total score; Reader involvement: comment numbers per posts accounted for 15% of the total score. The number of nominations accounted for 15% of the total score. These three blog-based factors make up 45% of the final score.
  4. Quality of posts: Educational, useful, engaging, and discussion-creating posts were rated higher than self-promotional posts. The quality of posts accounts for 55% of the final score.

Click here to see the Top 10 winners.


Chief Editor WTD

Registrations for our spectacular training environment for bloggers, the A-List Blogger Club, have re-opened. Join the winning team and create an unforgettable blog. Click below to find out more:

Memoir Gets its Own Back: Kapka Kassabova on how an Idea Morphed into a Published Book

Kapka Kassabova

A guest post by Kapka Kassabova

‘If you want to work on your art, work on your life.’ – Chekhov

Ten years ago, I was a single East European émigré living in Auckland and caught between Old and New Worlds, two passports, the end of the Berlin Wall and the beginning of the 21st century.

How timely, then, that one night I should walk into a bar and see a couple on the dance floor, moving to what sounded like the soundtrack to my life. Their chests were glued together, their hips rigid, and their faces lost in some fantasy of a better world. They were, of course, doing the tango. And that fantasy soon became mine. The soundtrack to my life turned out to be Astor Piazzolla’s ‘Oblivion’, tango’s most existential tune and a must for all melancholics.

I say ‘timely’ for two reasons. One, because you can already tell from the above sketch that the young émigré took herself very seriously in her culturally dispossessed predicament. And what dance is better suited to the culturally dispossessed than the tango? I could have taken ceroc, salsa, or any other happy dance where I could have drank mojitos, shaken my hips, and grinned with all my teeth at the uncomplicated blokes partnering me in our three basic steps. Cha-cha-cha!

But I didn’t. I took up the world’s most complicated and nostalgic couple dance. Which brings us to reason number two: in the next couple of years, I joined a world-wide tango community made up of hundreds of thousands of people of every colour, neurosis, and cultural complication under the sun. People like me.

Tango became my religion, my primary romantic relationship, a home of sorts. I learnt Spanish so that I could understand old songs like The Day That You Would Love Me (note the problematic conditional tense) and the title of electro-tango band Gotan Project’s hit album La Revancha del Tango. Tango Gets its Own Back.

It did, but it took ages. About three years into it, I knew I had to write a book about tango. After all, I was a writer first, and a tango maniac second. Dancing was no longer enough. Reading everything on tango I could find was not enough. As with everything else in life, I knew I could only truly understand tango by writing about it. But how do I even begin?

From the wrong end, that’s how. Which is to say, fiction. So, during  a year in Berlin on a generous Creative NZ writer’s residency, I plunged headlong into the researching and writing of my Big Tango Novel. It was going to be about Buenos Aires, Argentina’s Dirty War, Nazi War Criminals in South America, Emigration, Music, Poetry, Relationships, Jorge Luis Borges, and Tango.

There was no shortage of Big Themes. What there was a shortage of was characters. An honest intention. An authentic voice. A narrative focus. An actual story. At the end of my residency, I had to admit that My Big Tango Novel was a dud with a soundtrack.

My second doomed attempt took place a few years later. I was living in Britain now. A great brain wave came over me. This time, I was going to do the right thing. I was going to start with the characters. So, there is this lonely youngish British woman who gets hooked on tango. She falls for a mysterious guy she meets at tango. When he goes off to South America on a mysterious trip, she follows him. They get sucked into the underworld of Buenos Aires. Then something mysterious happens, involving tango. It was going to be a very Mysterious Tango Novel.

My agent read the first chapters. My agent is the smartest woman in the British publishing industry. ‘This reads like notes towards a novel,’ she said. ‘Some good stuff, potentially, but… Have you thought about writing a more personal kind of book about tango?’

No, I said, went away, and sulked for a year. Actually, I went away and wrote a childhood memoir for a year, signed up by the other smartest woman in the industry: my editor.

Then I wrote another novel. Nothing to do with tango. To hell with tango! Actually, tango was bringing hell into my life. In the space of two years, thanks to tango’s mysterious ways, I lost my partner of five years, my best friend, my place in the local tango community which constituted my entire social life, and very nearly my mental health. I pulled back from the brink just on time.

‘You know,’ I said to agent and editor. ‘I’m thinking of writing a more personal kind of book about tango. But I don’t know what the story is. And who the characters are.’

‘Really?’ said agent. ‘I think you do.’

‘I can think of at least two characters,’ said editor. ‘Tango. And KK. It’s a start.’

‘I think I know what I’m going to call it,’ I said. ‘Something about the average duration of a dance with the same partner…’

Between that distant Auckland bar and Twelve Minutes of Love, there lie the mangled embryos of two abandoned novels. But I had the time of my life writing Twelve Minutes of Love. It took a year. It came out almost perfectly formed. It had a voice. It had a story. It had a beating heart. It was populated with characters I knew well. It had poetry and music. It had emigration and history. Even Jorge Luis Borges managed to sneak in. And each chapter presented itself with a natural ‘tango lesson’ which of course meant a life lesson I had learnt in the past ten years.

1. Fascination
2. Infatuation
3. Revelation
4. Temptation
5. Disconnection
6. Connection
7. Tourism
8. Home
9. Homelessness
10. Ecstasy and agony
11. Freedom
12. Love

Tango, like literature, is a hall of mirrors. I had seen the true nature of my quest, as a dancer and as a writer, only after I’d had a few false starts. Bad things come to us all, but good things come to those who wait. And who use the paper bin.

My ‘tango novels’ had been built on clichés. I hadn’t been ready for my own book. I hadn’t had the necessary humanity. I had suffered too little, fantasised too much, and taken myself too seriously. I had lacked the lightness of touch it takes to treat dark matter.

This memoir is the most authentic thing I have written. As if it had been secretly gestating for ten long years. It had been.

 

Kapka Kassabova is a poet, essayist and travel writer who was born in Sofia, Bulgaria. After leaving Bulgaria as a teenager and living in England and New Zealand, she now resides in Edinburgh, Scotland.
Image of Kapka © Gerry Walden/gwpics.com

How to Make your Readers Sit Up and Take Notice

How to make your readers take notice

Raiders of the Lost ...

By Mary Jaksch, Chief Editor of Write to Done

Let’s say you want to write about a dry subject like how to use backlinking for SEO (Search Engine Optimization).

How can you make readers sit up and take notice – and entertain them at the same time?

Here’s a challenge for you …

Imagine writing an intro which weaves together the following topics: ancient civilizations, India, the jungle, mysterious temples, tigers, dark passages, snakes hanging from the ceiling, forgotten gods, altar carvings that reveal hidden secrets – and SEO.

It’s impossible, right?

Andy Fletcher managed to do just that in the intro to his report Backlink Leverage.

Here’s how he crafted his intro:

You’ve probably read the sales letters that have some … interesting stories to tell.

How the guy writing was on a holiday in India, how they were exploring the jungle, and how they came across this mysterious temple…

It was overgrown with vines. There was a tiger lounging by the door, they had to sneak past.

They crept through dark passages, wondering if every brush along their back was just a vine hanging from the ceiling or a poisonous snake.

And then they found it. The altar of some ancient, long-for gotten god. And carved into that altar they found a secret. The secret that has allowed them to exploit Google and made them rich …

Well, ain’t that just remarkable. A lost civilization that thousands up on thousands of archeologists have yet to discover, despite it being in a far more obvious state than all the other ones that are, y’know, buried…

And not only that, but this civilization was coming up with hot SEO techniques before there was an SE to O.

I’m sure impressed.

Or I would be, if it wasn’t so utterly ridiculous

I was thoroughly entertained by this introduction and it made me read more. What’s your reaction?

Have you written a creative intro that keeps readers glued to the page? If so, please share it in the comments.

Mary Jaksch is Chief Editor of Write to Done and co-creator of the A-List Blogging Bootcamps and the A-List Blogger Club. Enjoy more of Mary’s writing at Goodlife ZEN and in our free WDT book, The (nearly) Ultimate Guide to Better Writing! Just enter your name and email in the form at the top of the sidebar for immediate download.

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